Having read all of Keith McCarthy's subsequent thrillers, I finally felt impelled to pick up "A Feast of Carrion," the first and most intense installment in the series. McCarthy introduces British pathologist John Eisenmenger, a compassionate and sensitive individual who is unlucky in love. He has already been through a divorce, and he currently lives with an unstable and often enraged woman named Marie, who is not only jealous, but also paranoid and needy. Previously, John suffered a breakdown after witnessing the terrible death of a little girl named Tamsin at the hand of her mother, and he has never been able to forget the indelible image of this dying youngster. Her face haunts him and he even visits her pathetic grave to grieve from time to time.
John's life is about to get even more unsettled. He works in St. Benjamin's Museum of Anatomy and Pathology, where a crime takes place that is so gruesome that it almost defies description. A gorgeous medical student named Nikki Exner is found hanged and grotesquely mutilated in the museum. Who could have been sick enough to do such a thing to this young woman? Sleazy but sly Beverley Wharton, an ambitious Chief Inspector who has slept her way to the top, is convinced that the assistant curator of the museum, Tim Bilroth, formerly known as Tim Bowman, is the guilty party. After all, Bowman had motive, means and opportunity. He has a prison record for indecent assault and rape, and he is a drug dealer who knew Exner well. Relying on the results of a poorly done autopsy as well as her copper's intuition, Wharton arrests Bowman on suspicion of killing Exner. Subsequently, Bowman's parents hire a solicitor named Helena Flemming to clear their son's name. Helena asks John Eisenmenger to conduct a second autopsy on Exner in an attempt to find out what really happened. John is reluctant to get involved in forensic pathology again, but he is attracted to Helena, and he agrees to take another look at the Exner case.
"A Feast of Carrion" is a gory and unflinching novel, filled with excruciatingly detailed information on body parts and autopsies. It is also compulsively readable and highly literate. McCarthy's descriptive writing is fabulous; he captures a mood, a scene, or a character's personality with a few well-chosen words. His sardonic humor is often hilarious, and the author dissects each person in his cast as skillfully as Eisenmenger dissects corpses with his scalpel. McCarthy's conclusion is a cliffhanger and then some. My one quibble is the plot, which is incredibly intricate. There are too many perpetrators committing adultery, exchanging favors for sex, falsifying records, earning money through blackmail, and much more, requiring a scorecard to keep track of them all. The novel also features a host of individuals who are physically and mentally ill, a bit too many to be believed. However, the dialogue is top-notch, and the forensic information could not be more graphic, for those who enjoy that sort of thing. I advise you to read this book on an EMPTY stomach.
I urge readers who are new to McCarthy to read the novels in order. The author provides little back-story, and you will not understand how the characters evolved if you read the series out of order. Now that I have the whole picture, I understand a bit more about how and why John and Helena's inner demons have tormented them for so many years.