Fear and Loathing in Las Vegas: Fear and Loathing, Book 1 (Unabridged) [Audio Download]

By far the most intelligent and funny book I've ever read. But it's so much more than that, it captures the polarization of cultures in america at the end of the sixties and many of the observations still ring true today. A brilliant satire, the drawings by Ralph Steadman complement the text wonderfully well.

My favourite quote: 'at one point I tried to drive the Great Red Shark into the laundry room of the Landmark Hotel - but the door was too narrow, and the people inside seemed dangerously excited'.

Genius.

RIP Hunter.

There aren't many books that can make me laugh out loud. But this one did. In fact, there were times when I was laughing so hard I couldn't focus my eyes on the page to read. I'd have to stop reading just to compose myself enough to go on. Wild only begins to describe the adventures of Thompson and his lawyer. In all fairness, I should warn you that drinking large amounts of liquor and taking illegal drugs play a big part in the story. If drugs and drug culture easily offend you you may want to pass on this book. My feeling is this: I do not condone drug use but this novel does reflect a period in America's recent past, it is a modern classic, and it's so darned funny that it you really should read it. The story follows Thompson and his lawyer as they search for the real America. On the way, Thompson gets an assignment to cover a motorcycle race in Las Vegas. Armed with a red convertible and enough drugs to kill a VERY large animal, they set off for Vegas. The story is a mixture of reality, drug induced hallucinations, and some fuzzy experiences that are both reality and drug clouded. It's just a flat-out, fun, hilarious romp -- a joy ride of a novel. Don't miss out! Another offbeat novel that I came across recently and enjoyed was THE LOSERS CLUB by Richard Perez.

...This is Hunter S Thompson's countercultural classic 1973 non-ficition novel. Originally serialised in Rolling Stone and often written under the influence of mind-altering chemicals or booze (which Thompson injected into his chest), "Fear And Loathing..." is a powerful, funny and forceful assault on American culture and values. Ostenibly taking the viewpoint of one Raoul Duke- a thinly disguised HST-, a journalist assigned to covering a a desert race in Las Vegas, the book gives us a brilliant insight into the American culture of 1970s. Many who review the book draw attention to the protagonist's drug abuse, however this really secondary to the book and quite harmless when you consider he uses mainly psychedelics rather than powerful, habit-forming substances like heroin.

Accompained by his obese Samoan attorney- HST's mate and missing Hispanic loon, Oscar Acosta- the book follows Duke's wild adventures in the joyless pleasuredomes of Las Vegas. Duke's real purpose is to search for the American Dream and find it in physical form, he hopes he will achieve this aim in Las Vegas. However, he knows that Las Vegas is a corrupt and filthy place and that the American Dream does not actually exist.

Thompson is a master of bringing absurd comedy out of a situation and his visceral exposures of the stupidity and idiocy of the Las Vegas people and workers are hilarious. He also brilliantly dissects and informs us about the failures of the Nixon administration and the shame and pity of living in the world after the glory of the 1960s.

The influence of Fear and Loathing echoes in the work of numerous journalists and writers- Will Self. Easton Ellis, the fella who wrote Fight Club- who are by comparison mere imitators.

It is easy to forget, in the fallout of his suicide and the confusion of the adaptation, the brilliance of Hunter S Thompson: his wit, power, brutality and acerbity. He escapes easy caterogorisation and labelling to create a voice and a sense of individuality unique in writing. He specified in his own notes for the book that we should read it drunk and to the accompaniment of loud, violent music. In this violent mix, we can still hear the author's voice raving on with candour and wit like a debauched and intoxicated uncle.

To read Fear and Loathing, and to observe the cartoons of Ralph Steadman, is truly to experience something entirely new and different, HST's voice is one you will recognise and agree with without being preached to and you will doubtless appreciate the sheer power of his work. People complain of his alcoholism, anger and failure to repeat his success, but, ultimately, when you hold this book in your hands, none of that really matters. He changed the way we view our leaders and our contrymen. And he did it all drunk. For that alone, he deserves applause.

A true testament to the importance of rebellion.