The latest Porcupine Tree album shows a slight change of approach compared with the previous two. A concept album dealing with the bleak existence of neglected modern youth, it manages to be heavier and proggier (in some places) and lighter and simpler (in others) than both Deadwing and In Absentia. It also fits the tradition of a concept album by being best listened to in a single sitting. The songs are still great by themselves, but each benefits from being enjoyed in the context of the whole.
As usual, the band explores a variety of shades of heaviness and complexity. A larger-than-usual proportion of slow, soft sections (including a couple of whole songs predominantly in this style) might cause some fans of heavier Porcupine Tree to lose interest, but to me the album never becomes dull and is kept alive by Steven Wilson's haunting vocal lines and imaginative soundscapes. In contrast, the album also incorporates the heaviest music the band have recorded, and they pull it off brilliantly.
The album can be quite slow-moving: ideas are never hurried, but allowed to develop over many minutes. The chorus to the longest track, Anesthetize, doesn't kick in until some seven minutes into the song, but the build-up of the introduction adds to the impact of the memorable vocal line when it arrives. There are numerous classic Porcupine Tree moments on this CD which will keep existing fans happy, and although each song is perhaps not as striking as, say, the tracks on Deadwing, there is still plenty of interest here with unique musical and vocal ideas which Wilson manages so well.
In summary, although Fear Of A Blank Planet is a slightly more challenging listen than the previous two albums it's definitely up there in terms of songwriting, atmosphere and performance. Wilson has tweaked the formula a little, and the resulting album -- while perhaps not quite matching the pure brilliance of Deadwing -- is a success well worth checking out, and a very welcome addition to the Porcupine Tree catalogue.