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Album Savings: £19.56 compared to buying all songs
- Original Release Date: 21 May 2001
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Disc 1: | ||||||
| Song Title | Artist | Time | Price | |||
|---|---|---|---|---|---|---|
| Play | 1. Requiem, Op.48 - 1. Introit et Kyrie (Chorus) | Philharmonia Orchestra | 7:51 | £1.09 | ||
| Play | 2. Requiem, Op.48 - 2. Offertoire (Bariton, Chorus) | Andreas Schmidt | 9:46 | £1.09 | ||
| Play | 3. Requiem, Op.48 - 3. Sanctus (Chorus) | Philharmonia Orchestra | 3:38 | £0.79 | ||
| Play | 4. Requiem, Op.48 - 4. Pie Jesu | Kathleen Battle | 4:05 | £0.89 | ||
| Play | 5. Requiem, Op.48 - 5. Agnus Dei (Chorus) | Philharmonia Orchestra | 7:08 | £1.09 | ||
| Play | 6. Requiem, Op.48 - 6. Libera me (Bariton, Chorus) | Andreas Schmidt | 5:50 | £0.79 | ||
| Play | 7. Requiem, Op.48 - 7. In Paradisum (Chorus) | Philharmonia Orchestra | 3:49 | £0.79 | ||
| Play | 8. Pelléas et Mélisande, Op.80 - 1. Prélude. Quasi Adagio | Boston Symphony Orchestra | 6:19 | £0.79 | ||
| Play | 9. Pelléas et Mélisande, Op.80 - 2. Fileuse. Andantino quasi Allegretto | Boston Symphony Orchestra | 2:33 | £0.79 | ||
| Play | 10. Pelléas et Mélisande, Op.80 - Chanson de Mélisande | Lorraine Hunt | 3:03 | £0.79 | ||
| Play | 11. Pelléas et Mélisande, Op.80 - 4. Sicilienne | Boston Symphony Orchestra | 4:05 | £0.79 | ||
| Play | 12. Pelléas et Mélisande, Op.80 - 6. Molto adagio | Boston Symphony Orchestra | 4:39 | £0.79 | ||
| Play | 13. Une châtelaine en sa Tour..., Op.110 - Arrangement: Nicanor Zabaleta | Nicanor Zabaleta | 5:05 | £0.79 | ||
| Disc 2: | ||||||
| Song Title | Artist | Time | Price | |||
| Play | 1. Pavane, Op.50 | Boston Symphony Orchestra | 6:47 | £0.79 | ||
| Play | 2. Dolly, Op.56 - 1. Berceuse | Alfons Kontarsky | 2:32 | £0.79 | ||
| Play | 3. Dolly, Op.56 - 2. Mi-A-Ou | Alfons Kontarsky | 1:45 | £0.39 | ||
| Play | 4. Dolly, Op.56 - 3. Le Jardin de Dolly | Alfons Kontarsky | 3:06 | £0.79 | ||
| Play | 5. Dolly, Op.56 - 4. Kitty-Valse | Alfons Kontarsky | 2:21 | £0.79 | ||
| Play | 6. Dolly, Op.56 - 5. Tendresse | Alfons Kontarsky | 3:48 | £0.79 | ||
| Play | 7. Dolly, Op.56 - 6. Le pas Espagnol | Alfons Kontarsky | 1:58 | £0.39 | ||
| Play | 8. Les berceaux, Op.23, No.1 | Gérard Souzay | 2:53 | £0.79 | ||
| Play | 9. Le secret, Op.23, No.3 | Dalton Baldwin | 2:22 | £0.79 | ||
| Play | 10. Soir, Op.83, No.2 | Gérard Souzay | 2:31 | £0.79 | ||
| Play | 11. L'horizon chimérique, Op.118 - 1. La mer est infinie | Gérard Souzay | 1:37 | £0.39 | ||
| Play | 12. L'horizon chimérique, Op.118 - 2. Je me suis embarqué | Gérard Souzay | 2:32 | £0.79 | ||
| Play | 13. L'horizon chimérique, Op.118 - 3. Diane, Séléné | Gérard Souzay | 2:02 | £0.39 | ||
| Play | 14. Après un Rêve op.7, no.1 | Jules Eskin | 3:16 | £0.79 | ||
| Play | 15. Elégie, Op.24 - Molto adagio | Jules Eskin | 6:49 | £0.79 | ||
| Play | 16. Nocturne No.4 in E flat, Op.36 | Pascal Rogé | 7:20 | £0.79 | ||
| Play | 17. Barcarolle No.2 in G, Op.41 | Pascal Rogé | 6:49 | £0.79 | ||
| Play | 18. Masques et Bergamasques. Stage work, 1919. - Ouverture | Orpheus Chamber Orchestra | 3:25 | £0.79 | ||
| Play | 19. Masques et Bergamasques. Stage work, 1919. - Menuet | Orpheus Chamber Orchestra | 2:29 | £0.79 | ||
| Play | 20. Masques et Bergamasques. Stage work, 1919. - Gavotte | Orpheus Chamber Orchestra | 3:09 | £0.79 | ||
| Play | 21. Masques et Bergamasques. Stage work, 1919. - Pastorale | Orpheus Chamber Orchestra | 5:22 | £0.79 | ||
| Play | 22. Cantique de Jean Racine - chorus and organ. Op.11 (1865) | Choir of King's College, Cambridge | 5:35 | £0.79 | ||
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Customer Reviews
Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Audio CD
Cannot stop playing this CD as I find it soothing yet thought - provoking in some of its material. Good value for cash and excellent amount of listening time on the 2 CD's. Just what I wanted as it incorporated all the best of Faure and I notice that Panorama have other CD's based on other composers in similar type compilations which would also be worth procuring in the future. Well done Deutsche Gramophone. JB
1 of 1 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
So many of these double CD Panorama anthologies from DG are praiseworthy - their Mendelssohn and Sibelius spring to mind amongst many others - and this one is no exception. Having done something of a survey of available Requiems recently, I still endorse above all the simple beauty of the old EMI recording from King's College but this one, too, has its charms. It's still slightly too etiolated and enervated for my taste; there is always a temptation in this music to prettify it and linger over it excessively but if any conductor knows how to indulge in leisurely tempos without losing the pulse, it's Giulini. He draws out lovely, poised singing and playing from the Philharmonia forces, also highlighting orchestral detail that I haven't been aware of in murkier versions such as the over-reverberant, over-reverential recording from Toulouse by Michel Plasson. He has excellent soloists in the straightforward Schmidt and the ethereal Kathy Battle, although again, I prefer a good treble and less operatic voices for this sweetest and simplest of music.
The programme here is biased towards Fauré's vocal music but I do not mind when that means we hear the velvety mezzo of Lorraine Hunt Lieberson (often sounding uncannily like Janet Baker) in Mélisande's Song in his gorgeously Romantic suite "Pelléas et Mélisande", full of lush, swooning, post-Wagnerian melodies exquisitely played by the Boston Symphony Orchestra under Seiji Ozawa, who has always excelled in French music from Berlioz through to the later, more impressionistic repertoire. Move over Debussy and a youthful Schoenberg.
I came across this set whilst looking for a recording of "Le cantique de Jean Racine" and found that it was worth buying an hour and a half's-worth of music even though my original idea was to find the best version of a piece lasting not six minutes. Given that my favourite "Requiem" is by the King's College Choir, it was appropriate that I also like their version of this canticle. The boomy, chapel acoustic is a bit of a shock after so much intimate music but it's well sung by an all-male choir whose diction makes the words are clear enough, even if they are not provided by Panorama.
Despite the prevalence of vocal music in the form of various songs from distinguished Fauré interpreter, baritone Gérard Souzay, there are also plenty of instrumental and orchestral lollipops such as the famous "Pavane", the "Dolly suite" for two pianos and the "Elégie" for cello, piano and orchestra and two lovely piano pieces from Pascal Rogé. The Orpheus Chamber Orchestra plays the "Masques et bergamasques" in sprightly fashion to provide a lively counterbalance to the prevailingly sombre, reflective mood of most of the music here. As a survey of Fauré's art, this set could hardly be more generous or representative.
(Listings correction: the third Mélodie, "Soir", is Op.83 no.2 and the lyrics are by Albert Samain.)
The programme here is biased towards Fauré's vocal music but I do not mind when that means we hear the velvety mezzo of Lorraine Hunt Lieberson (often sounding uncannily like Janet Baker) in Mélisande's Song in his gorgeously Romantic suite "Pelléas et Mélisande", full of lush, swooning, post-Wagnerian melodies exquisitely played by the Boston Symphony Orchestra under Seiji Ozawa, who has always excelled in French music from Berlioz through to the later, more impressionistic repertoire. Move over Debussy and a youthful Schoenberg.
I came across this set whilst looking for a recording of "Le cantique de Jean Racine" and found that it was worth buying an hour and a half's-worth of music even though my original idea was to find the best version of a piece lasting not six minutes. Given that my favourite "Requiem" is by the King's College Choir, it was appropriate that I also like their version of this canticle. The boomy, chapel acoustic is a bit of a shock after so much intimate music but it's well sung by an all-male choir whose diction makes the words are clear enough, even if they are not provided by Panorama.
Despite the prevalence of vocal music in the form of various songs from distinguished Fauré interpreter, baritone Gérard Souzay, there are also plenty of instrumental and orchestral lollipops such as the famous "Pavane", the "Dolly suite" for two pianos and the "Elégie" for cello, piano and orchestra and two lovely piano pieces from Pascal Rogé. The Orpheus Chamber Orchestra plays the "Masques et bergamasques" in sprightly fashion to provide a lively counterbalance to the prevailingly sombre, reflective mood of most of the music here. As a survey of Fauré's art, this set could hardly be more generous or representative.
(Listings correction: the third Mélodie, "Soir", is Op.83 no.2 and the lyrics are by Albert Samain.)
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