Fates Warning



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Darkness in a Different Light: Fates Warning[Sep 30, 2013] http://t.co/DoA2EWMkyB


At a Glance

Formed: 1982 (33 years ago)


Biography

After a near decade long hiatus, Fates Warning returns with Darkness In A Different Light, their first CD of new material since the release of FWX in 2004. This also marks the first release for the current lineup of Ray Alder (vocals) Jim Matheos and Frank Aresti (guitars), Joey Vera (bass), and Bobby Jarzombek (drums).

Formed in 1982, Fates Warning quickly gained attention with their first three releases, Night On Bröcken, The Spectre Within, and Awaken The Guardian, which peaked at #191 on the Billboard 200 charts. The departure of original vocalist John Arch in 1987 could have heralded ... Read more

After a near decade long hiatus, Fates Warning returns with Darkness In A Different Light, their first CD of new material since the release of FWX in 2004. This also marks the first release for the current lineup of Ray Alder (vocals) Jim Matheos and Frank Aresti (guitars), Joey Vera (bass), and Bobby Jarzombek (drums).

Formed in 1982, Fates Warning quickly gained attention with their first three releases, Night On Bröcken, The Spectre Within, and Awaken The Guardian, which peaked at #191 on the Billboard 200 charts. The departure of original vocalist John Arch in 1987 could have heralded the end of the band, but the entrance of Ray Alder in 1988 brought Fates Warning even more notoriety with the next three albums - No Exit, Perfect Symmetry, and Parallels - over four short years. Based on the strength of the Inside Out album in 1994, the band had the opportunity to support Dream Theater in the US and Europe on the Awake tour. In 1997 Fates Warning released the epic A Pleasant Shade Of Gray, considered to be one of their most ambitious efforts to date. Disconnected was issued in 2000 followed by the more experimental FWX in 2004, which turned out to be their last studio effort for almost a decade.

The silence between 2004 and now was never planned, but rather an unspoken agreement that the band needed a break. Matheos focused on OSI, a group he formed along with Chroma Key / ex-Dream Theater keyboardist Kevin Moore, and also helped original Fates vocalist John Arch put together his first solo EP, A Twist Of Fates. Alder turned his attention to the band Redemption. Long time drummer Mark Zonder had in fact made the decision to leave Fates Warning following the completion of FWX to explore other musical avenues.
Not that the band has been completely dormant. On the contrary, Fates Warning made a point over the past decade of performing as much as the band members' respective schedules allowed.

"We've been steadily playing dates every year," says Matheos, "so we tried to keep the band's name out there by doing at least a handful of shows each year. This line-up is really strong both musically and personally and I’m enjoying playing live more than ever."
According to Matheos, work on a new Fates Warning initially began in 2009 but "it didn't work out for various reasons." The material didn't go to waste, however, and three songs were used for the critically acclaimed Arch / Matheos album Sympathetic Resonance, released in 2011. Matheos and Alder eventually managed to get their schedules cleared and in late 2011 the duo began writing in earnest for what would become Darkness In A Different Light.

"I think getting away from doing Fates for a while was good for all of us. I kind of missed it though," Matheos admits. "It wasn't a struggle for me this time to say ‘I have to write some new Fates Warning material’. While it’s never easy , it was an enjoyable challenge getting back into Fates mode.

Darkness In A Different Light sees Bobby Jarzombeck taking over for Mark Zonder behind the drum kit, marking his first official album with Fates Warning. Bassist Joey Vera is back where he belongs, and long time guitarist Frank Aresti who left the band between 1995 and 2003 also contributed to the new material.

One element that remains consistent through all of Fates Warning’s albums is a sense of darkness and melancholy. FWX was a little more ambient in spots and a little more experimental, something Matheos credits to having done the first OSI record (Office Of Strategic Influence) before that. The new album, if anything, is a step away from the FWX sound. Matheos refuses to call Darkness In A Different Light back-to-the-roots, but he purposely kept the music guitar oriented; no keyboards, no samplers, no sequencing.

"Under the best circumstances I'm the worst person to describe our music," states Matheos. "I've been working on this seven days a week, many hours a day for the last two years, so it's hard for me to step away from it and describe it objectively. I think all of our records have been different from one to the next, and this one is almost ten years removed from the last one so the band is quite different. It's going to be different sonically, musically and lyrically . I think and I hope there will still be elements in there that people can recognize.

Fates Warning have always been the innovators and never the imitators; their back catalogue speaks volumes on the subject. They made it clear as far back as Perfect Symmetry that a band could still be progressive and write actual songs rather than being committed to dazzling people with overblown instrumental prowess. It's a tradition that continues with Darkness In A Different Light.

"That's one of the the things we've tried to stick with," Matheos agrees. "There's a fine line between keeping things progressive and showing a little bit of musicianship, but also keep things song-based. We've been trying to do that for a long time and I hope it shows through on this record."

This biography was provided by the artist or their representative.

After a near decade long hiatus, Fates Warning returns with Darkness In A Different Light, their first CD of new material since the release of FWX in 2004. This also marks the first release for the current lineup of Ray Alder (vocals) Jim Matheos and Frank Aresti (guitars), Joey Vera (bass), and Bobby Jarzombek (drums).

Formed in 1982, Fates Warning quickly gained attention with their first three releases, Night On Bröcken, The Spectre Within, and Awaken The Guardian, which peaked at #191 on the Billboard 200 charts. The departure of original vocalist John Arch in 1987 could have heralded the end of the band, but the entrance of Ray Alder in 1988 brought Fates Warning even more notoriety with the next three albums - No Exit, Perfect Symmetry, and Parallels - over four short years. Based on the strength of the Inside Out album in 1994, the band had the opportunity to support Dream Theater in the US and Europe on the Awake tour. In 1997 Fates Warning released the epic A Pleasant Shade Of Gray, considered to be one of their most ambitious efforts to date. Disconnected was issued in 2000 followed by the more experimental FWX in 2004, which turned out to be their last studio effort for almost a decade.

The silence between 2004 and now was never planned, but rather an unspoken agreement that the band needed a break. Matheos focused on OSI, a group he formed along with Chroma Key / ex-Dream Theater keyboardist Kevin Moore, and also helped original Fates vocalist John Arch put together his first solo EP, A Twist Of Fates. Alder turned his attention to the band Redemption. Long time drummer Mark Zonder had in fact made the decision to leave Fates Warning following the completion of FWX to explore other musical avenues.
Not that the band has been completely dormant. On the contrary, Fates Warning made a point over the past decade of performing as much as the band members' respective schedules allowed.

"We've been steadily playing dates every year," says Matheos, "so we tried to keep the band's name out there by doing at least a handful of shows each year. This line-up is really strong both musically and personally and I’m enjoying playing live more than ever."
According to Matheos, work on a new Fates Warning initially began in 2009 but "it didn't work out for various reasons." The material didn't go to waste, however, and three songs were used for the critically acclaimed Arch / Matheos album Sympathetic Resonance, released in 2011. Matheos and Alder eventually managed to get their schedules cleared and in late 2011 the duo began writing in earnest for what would become Darkness In A Different Light.

"I think getting away from doing Fates for a while was good for all of us. I kind of missed it though," Matheos admits. "It wasn't a struggle for me this time to say ‘I have to write some new Fates Warning material’. While it’s never easy , it was an enjoyable challenge getting back into Fates mode.

Darkness In A Different Light sees Bobby Jarzombeck taking over for Mark Zonder behind the drum kit, marking his first official album with Fates Warning. Bassist Joey Vera is back where he belongs, and long time guitarist Frank Aresti who left the band between 1995 and 2003 also contributed to the new material.

One element that remains consistent through all of Fates Warning’s albums is a sense of darkness and melancholy. FWX was a little more ambient in spots and a little more experimental, something Matheos credits to having done the first OSI record (Office Of Strategic Influence) before that. The new album, if anything, is a step away from the FWX sound. Matheos refuses to call Darkness In A Different Light back-to-the-roots, but he purposely kept the music guitar oriented; no keyboards, no samplers, no sequencing.

"Under the best circumstances I'm the worst person to describe our music," states Matheos. "I've been working on this seven days a week, many hours a day for the last two years, so it's hard for me to step away from it and describe it objectively. I think all of our records have been different from one to the next, and this one is almost ten years removed from the last one so the band is quite different. It's going to be different sonically, musically and lyrically . I think and I hope there will still be elements in there that people can recognize.

Fates Warning have always been the innovators and never the imitators; their back catalogue speaks volumes on the subject. They made it clear as far back as Perfect Symmetry that a band could still be progressive and write actual songs rather than being committed to dazzling people with overblown instrumental prowess. It's a tradition that continues with Darkness In A Different Light.

"That's one of the the things we've tried to stick with," Matheos agrees. "There's a fine line between keeping things progressive and showing a little bit of musicianship, but also keep things song-based. We've been trying to do that for a long time and I hope it shows through on this record."

This biography was provided by the artist or their representative.

After a near decade long hiatus, Fates Warning returns with Darkness In A Different Light, their first CD of new material since the release of FWX in 2004. This also marks the first release for the current lineup of Ray Alder (vocals) Jim Matheos and Frank Aresti (guitars), Joey Vera (bass), and Bobby Jarzombek (drums).

Formed in 1982, Fates Warning quickly gained attention with their first three releases, Night On Bröcken, The Spectre Within, and Awaken The Guardian, which peaked at #191 on the Billboard 200 charts. The departure of original vocalist John Arch in 1987 could have heralded the end of the band, but the entrance of Ray Alder in 1988 brought Fates Warning even more notoriety with the next three albums - No Exit, Perfect Symmetry, and Parallels - over four short years. Based on the strength of the Inside Out album in 1994, the band had the opportunity to support Dream Theater in the US and Europe on the Awake tour. In 1997 Fates Warning released the epic A Pleasant Shade Of Gray, considered to be one of their most ambitious efforts to date. Disconnected was issued in 2000 followed by the more experimental FWX in 2004, which turned out to be their last studio effort for almost a decade.

The silence between 2004 and now was never planned, but rather an unspoken agreement that the band needed a break. Matheos focused on OSI, a group he formed along with Chroma Key / ex-Dream Theater keyboardist Kevin Moore, and also helped original Fates vocalist John Arch put together his first solo EP, A Twist Of Fates. Alder turned his attention to the band Redemption. Long time drummer Mark Zonder had in fact made the decision to leave Fates Warning following the completion of FWX to explore other musical avenues.
Not that the band has been completely dormant. On the contrary, Fates Warning made a point over the past decade of performing as much as the band members' respective schedules allowed.

"We've been steadily playing dates every year," says Matheos, "so we tried to keep the band's name out there by doing at least a handful of shows each year. This line-up is really strong both musically and personally and I’m enjoying playing live more than ever."
According to Matheos, work on a new Fates Warning initially began in 2009 but "it didn't work out for various reasons." The material didn't go to waste, however, and three songs were used for the critically acclaimed Arch / Matheos album Sympathetic Resonance, released in 2011. Matheos and Alder eventually managed to get their schedules cleared and in late 2011 the duo began writing in earnest for what would become Darkness In A Different Light.

"I think getting away from doing Fates for a while was good for all of us. I kind of missed it though," Matheos admits. "It wasn't a struggle for me this time to say ‘I have to write some new Fates Warning material’. While it’s never easy , it was an enjoyable challenge getting back into Fates mode.

Darkness In A Different Light sees Bobby Jarzombeck taking over for Mark Zonder behind the drum kit, marking his first official album with Fates Warning. Bassist Joey Vera is back where he belongs, and long time guitarist Frank Aresti who left the band between 1995 and 2003 also contributed to the new material.

One element that remains consistent through all of Fates Warning’s albums is a sense of darkness and melancholy. FWX was a little more ambient in spots and a little more experimental, something Matheos credits to having done the first OSI record (Office Of Strategic Influence) before that. The new album, if anything, is a step away from the FWX sound. Matheos refuses to call Darkness In A Different Light back-to-the-roots, but he purposely kept the music guitar oriented; no keyboards, no samplers, no sequencing.

"Under the best circumstances I'm the worst person to describe our music," states Matheos. "I've been working on this seven days a week, many hours a day for the last two years, so it's hard for me to step away from it and describe it objectively. I think all of our records have been different from one to the next, and this one is almost ten years removed from the last one so the band is quite different. It's going to be different sonically, musically and lyrically . I think and I hope there will still be elements in there that people can recognize.

Fates Warning have always been the innovators and never the imitators; their back catalogue speaks volumes on the subject. They made it clear as far back as Perfect Symmetry that a band could still be progressive and write actual songs rather than being committed to dazzling people with overblown instrumental prowess. It's a tradition that continues with Darkness In A Different Light.

"That's one of the the things we've tried to stick with," Matheos agrees. "There's a fine line between keeping things progressive and showing a little bit of musicianship, but also keep things song-based. We've been trying to do that for a long time and I hope it shows through on this record."

This biography was provided by the artist or their representative.