Fresh out of prison, Driver (Dwayne Johnson -
The Other Guys) has one thing on his mind - revenge. Meeting his handler R.G. (Mike Epps -
Friday/Next Friday/Friday After Next) he is given the list of people who are responsible for him ending up in the slammer for the last ten years. Word gets out that Driver is on the warpath and the head-honcho orders a hitman on him to stop him completing his vengeance. The hitman turns out to be the world's youngest & most successful internet start-up who, bored with stocks and yoga, has turned his hand to contract-killing [naturally]. All the while, Driver has been attracting the attention of the police and the unorthodox practices of Cop (Billy Bob Thornton -
Mr. Woodcock). Weeks from retirement, Cop sees putting Driver back behind bars as his swan song. Will Driver get his vengeance? Or will he be stopped in his tracks by Killer or by Cop?
Faster is a fairly brainless movie, I say this because I don't want to give the impression that it will amaze you with witty plot devices or twists & turns. But the simple linear premise of three characters inexorably speeding towards a showdown adds a palpable sense of tension throughout the film. The character development in Faster is fantastic and largely unparalleled as it builds the bad-guys just as much as the good-guys. We see the sensitive side of Killer (played by Oliver Jackson-Cohen - who could easily by Jake Gyllenhaal's clone, except he can act) and his relationship with his fiancée Lily (Maggie Grace -
Malice In Wonderland) and his doubts about being able to actually kill Driver. Whilst Cop is a twisted character who walks the morally grey-area of the law and has marital problems himself - as a result of all this development I felt that regardless of the outcome of the film, a character that I truly liked was going to end up in the dirt.
Faster is well-shot and well directed by George Tillman Jr. There are some great shots of the cars (Driver's choice is a 1970 Chevrolet Chevelle SS whilst Killer's is a modern-day Ferrari) and some arty "behind the tachometer" shots of the interior. The score is original, produced by Clint Mansell and fits the aesthetic of the film well but is not all that memorable.
A great film that kept me riveted from the outset, gung-ho, brash, explosive and violent but boy is it fun along the way. Recommended!