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Unless you are a jeweler already, you can't make the pieces shown in the book. The materials list that starts the book is vague and poorly illustrated. The photograph of various pliers is too dark and too small to see the difference between a round-nose and chain-nose pliers, and the names aren't used anyway. You are told you will need "various lengths and thicknesses" of "wires and threads." The diagrams scattered throughout the book are not consistent. Some are clear, others don't show enough separate steps.
But the translation is the worst flaw in this otherwise lovely book. The translator is obviously not a jeweler and not familiar with the tools of the trade. But don't let this discourage you. The 125-page book has color plates on almost every page, each with a great idea. No shortage of inspiration and motivation here. You need a good sense of humor and persistence to work through some of the text, but it's worth it.
For example, it doesn't take too much imagination to figure out that "cloth bands" means ribbon, and that the German word for "bead" and "pearl" is the same. From context, you can figure out that "press-molded beads" and "callottes" are crimps that you attach with "pliers with holes." More baffling is the line, "Into the ring with a thorn, which can be hooked easily into a half-creole, you can glue a pearl. . ."
I've paid as much for books without such gorgeous pictures. When I'm stuck in a deisgning rut, paging through this book is a certain cure.
One of the simplest, but very effective methods of fastening E-beads together is with jump rings. The effect is delicate, but sturdy. This method can be used for a bracelet or necklace.
Another striking way to use beads is to put beads of different shapes on headpin, then loop the end of the headpin to make a charm. Alternate stringing a bead directly on wire with five of your charms. This gives the necklace a loose, swingy effect.
Many of the materials in Renate's book are unique to Europe, but don't let that discourage you. I caught myself thinking that I could make similar jewelry elements using polymer clay, although I admit to a sudden urge to visit Gablonz.
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