Amazon.co.uk Review
The 1932 version of
A Farewell to Arms owes as much to the shimmering house style of Paramount Pictures as it does the
novel by Ernest Hemingway. If Hemingway purists can get past the romanticising of the book, however, this film offers its own glossy appeal. On the Italian front in World War I an American ambulance driver (Gary Cooper) falls in love with a nurse (Helen Hayes). Cooper was a Hemingway friend in real life, and later played the hero of Hemingway's
For Whom the Bell Tolls; his boyish simplicity is just right for director Frank Borzage's heartfelt approach. The Oscar-winning cinematography of ace cameraman Charles Lang is the kind of lush black and white that can capture the glow from a cigarette as it plays across Cooper's darkened face--a breathtaking touch. The jaded battle scenes show the influence of the hit film version of
All Quiet on the Western Front, especially in a gripping montage depicting Cooper's progress alone through the war zone. Hemingway would have none of it, of course; he once disdainfully wrote that "in the first picture version Lt. Henry deserted because he didn't get any mail and then the whole Italian Army went along, it seems, to keep him company". This is first and foremost a love story, however, and as such it succeeds beautifully, right through to the remarkably intense ending. --
Robert Horton, Amazon.com
Product Description
Gary Cooper plays American ambulance driver Lieutenant Frederick Henry who has enlisted in the Italian army in this, one of the most successful Ernest Hemingway adaptations to be made into a film. Henry meets and falls in love with British nurse Catherine Barkley (Helen Hayes) after being injured during fighting on the Italian front during World War 1 (Hemingway also served in the Italian army as an ambulance driver during the war and was injured in the legs, giving the story a first hand experience). Whilst ostensibly a love story within a war setting, the film questions the nature and futility of war under the skilful direction of Frank Borzage. The film collected an Academy Award for Charles Lang for cinematography and an additional nomination for best picture.
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