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Product details
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Track Listings
| 1. Fanfare For The Common Man |
| 2. La Citadelle |
| 3. La Carrousel Du Roy: Prelude |
| 4. La Carrousel Du Roy: Menuet |
| 5. La Carrousel Du Roy: Gavotte |
| 6. La Carrousel Du Roy: Gigue |
| 7. Courtly Masquing Ayres: No. 1 In G Minor |
| 8. Courtly Masquing Ayres: No. 2 In F Major |
| 9. Madrigal: Cor mio, deh non piangete |
| 10. L'homme Arme |
| 11. Canzon Septimi Octavi Toni a 12 - No.13 Of Symphoniae Sacrae |
| 12. Courtly Masquing Ayres: No. 19 In F Major |
| 13. Courtly Masquing Ayres: No. 20 In F Major |
| 14. Sinfonia 'La Padovana' |
| 15. Funeral Music For Queen Mary: March - Canzona - March |
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Customer Reviews
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
5.0 out of 5 stars (2 customer reviews)
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Stirring Brass Performances, 1 Feb 2001
By Daniel G. Berk - Published on Amazon.com
This review is from: Fanfare for the Common Man (Audio CD)
This is an excellent CD. After the opening selection, Aaron Copland's "Fanfare for the Common Man", the title piece and probably the best fanfare ever written, starts your adrenaline pumping, the remaining selections are of sufficient compositional and performance quality to maintain your level of excitement. Beside the Copland and two compositions by director, Richard Harvey, the remaining selections are from the 16th and 17th centuries; however, the ensuing years have done nothing to dull their shine.
5.0 out of 5 stars
Stirring Brass Performances, 1 Feb 2001
By Daniel G. Berk - Published on Amazon.com
This review is from: Fanfare for the Common Man (Audio CD)
This is an excellent CD. After the opening selection, Aaron Copland's "Fanfare for the Common Man", the title piece and probably the best fanfare ever written, starts your adrenaline pumping, the remaining selections are of sufficient compositional and performance quality to maintain your level of excitement. Beside the Copland and two compositions by director, Richard Harvey, the remaining selections are from the 16th and 17th centuries; however, the ensuing years have done nothing to dull their shine.
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