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Product details
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| Disc: 1 | |||
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| 1. 1. Allegro con spirito - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
| 2. 2. Andante - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
| 3. 3. Rondo - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
| 4. 1. Allegro ma non troppo - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
| 5. 2. Largo - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
| 6. 3. Vivace - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
| 7. 1. Allegro non troppo presto - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
| 8. 2. Adagio - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
| 9. 3. Allegro molto - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
| 10. 1. Allegro - Håkan Hardenberger, The Academy of St. Martin in the Fields, Neville Marriner | |||
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| Disc: 2 | |||
| 1. 1. Andante - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
| 2. 2. Allegro moderato - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
| 3. 1. Allegro - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
| 4. 2. Adagio - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
| 5. 3. Vivace - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
| 6. 1. Allegro - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
| 7. 2. Adagio - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
| 8. 3. Allegro - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
| 9. 1. Adagio - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
| 10. 2. Allegro molto - Håkan Hardenberger, London Philharmonic Orchestra, Elgar Howarth | |||
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Hardenberger is a Swedish trumpeter who made his first recording (Haydn, Hummel, Hertel, and Stamitz trumpet concertos, with the Academy of St. Martin in the Fields under Neville Marriner, on Philips) in 1986 when he was only 25 years old (in the cover photo of the original CD he looks like a boy). The first time I played this debut CD of his, my jaw dropped and I could hardly believe my ears. His playing was a revelation--absolutely stunning. I'd never heard trumpet playing to compare with it. In my opinion, with his first two CDs young Hardenberger not only moved into the top rank of trumpeters; he swept right past his competitors to the head of the class. I've compared a number of his baroque concerto performances, here and elsewhere, with those of other famous trumpeters, and he always comes out on top. I believe him to be in a league of his own. He has everything: virtuosity and technique to burn, dead-on intonation, clean trills, smooth legato, expressive shading, beauty of tone, brilliant high notes, enormous dynamic range. He is also a sound musician, with taste and a sense of style. His arsenal is complete and unassailable; there is no chink in his armor.
Everything that was on that debut CD is now in this Philips Duo set, which is a much better value, because it offers two generously filled CDs--72:55 and 78:27--for the price of one, adding most of the contents of two later Hardenberger CDs of baroque music for trumpet (the recordings here were made from 1986 through 1993). It's a good buy, and if you're going to own only one collection of baroque trumpet music, this is the one I'd recommend.
The trumpet has always been a difficult instrument to record and reproduce accurately. Here, although the consistently excellent digital recording presents Hardenberger very much front and center, it captures the timbre, "bite," and wide dynamic range of his trumpet with exemplary vividness and fidelity. On a top-quality playback system, he sounds like he's standing right between the speakers playing for you. And what playing it is! Not to be missed.
Hardenberger's second CD, of Telemann Trumpet Concertos, also accompanied by the ASMF, this time under Iona Brown, was recorded in 1987 (again on Philips). It too is marvelous, fully as impressive as his first CD, but unfortunately none of it is included in the Philips Duo reviewed here, so you have to acquire it separately. It's well worth it.
Long live the king!
The current reviewed recording, on the other hand, is quite a piece of gem. Even though I have never heard of Hardenberger before (you trumpet players out there please excuse my ignorance), he delivers precisely what I am looking for. Hardenberger has the centered tone that most trumpeters would envy, yet he lacked none of the technical virtuosity needed for the music. His vibrato is light and very classical (as opposed to the wider jazz vibrato). On top of all that, he shows much understanding and affinity for the various works on these two CDs.
All of this for the price of 1 CD. An excellent introduction to the core trumpet repertoire.
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