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In the first volume of Unreliable Memoirs, we said farewell to our hero as he set sail from Sydney Harbour, bound for London, fame and fortune. Finding the first of these proved relatively simple; the second two less so. Undaunted, Clive moved into a bed and breakfast in a Swiss Cottage where he practised the Twist, anticipated poetical masterpieces and worried about his wardrobe . . . 'A comic triumph, full of terrific jokes and brilliantly sustained setpieces' Ian Hamilton, London Review of Books James wickedly funny jokes and jibes make you laugh out loud and feel warm to the man. No wonder women wanted to feed him greens, and men lend him money The Times
About the Author
Clive James is the author of more than thirty books. As well as his memoirs, he has published essays, literary and television criticism, travel writing, verse and novels. As a television performer he has appeared regularly for both the BBC and ITV, most notably as writer and presenter of the Postcard series of travel documentaries. He helped to found the independent television production company Watchmaker and the Internet enterprise Welcome Stranger, one of whose offshoots is a multimedia personal website, www.clivejames.com. In 1992 he was made a Member of the Order of Australia and in 2003 he was awarded the Philip Hodgins memorial medal for literature.
Clive James should be 65 by now, if the arithmetic of the years works in the same way for him as for me. This volume of his memoirs, the second, was issued in 1985, but presumably it calls on diaries kept in his 20's, the period the book covers, so one can't really gauge how it reflects his maturation.
His greatest strength and his main weakness are one and the same thing. He produces some brilliant one-liners, but so many of them, and so similar in style, that they become just a little wearisome over the length of even a shortish book. I became familiar with him first as the BBC film pundit and then as the television critic of The Observer on Sundays. Within the scale of a half-hour programme or a Sunday review he was absolutely unsurpassable for wit and originality. He did various other tv programmes over the years, and I remember in particular a series on a tour he had made in eastern Europe, at the time still the Evil Empire of fond memory. There was a clip of a rock band consisting of various balding 40ish gents in dull suits, on which James commented in his flat Australian accent 'They don't just look like secret policemen, they sing like secret policemen'. Does that have you rolling in the aisles? It did me. It still does, and this book rarely goes two pages in succession without something of the kind. As a writer of English he is a consummate workman on his own terms. The tone is studiously light and informal, but the expression is never careless or cheap. Indeed his other fault as a stylist is a kind of demotic pretentiousness. The relaxed and plain-Joe paragraphs are liberally larded with obscure literary and cultural allusions, and it would serve him right if some readers find this patronising. What do you make of a chapter-heading 'Solvitur acris James', for instance?
... I happen to recognise the reference to the ode of Horace starting 'Solvitur acris hiems' (Sharp winter melts) but not only will it totally escape many, perhaps most, it doesn't have all that much point anyway in its context.
The period narrated is from his arrival in England in 1962 until just before he went up to Cambridge. As a document of an impoverished, chaotic, Hogarthian gin-lane existence it is simply brilliant. It would be hard to describe the feel of his account as precisely introspective - Rabelaisian might be nearer the mark. In saying that, I begin to suspect that James's manner is beginning to infect me too - the style of Rabelais is nothing like what you might expect from its English dictionary definition or the common usage of the word insofar as it has a common usage. Towards the end I thought I detected a distinctly deeper tone. I wonder what he could really do if he really tried.
Clive James' Falling Towards England covers his life from leaving Australia in the late 1950's through his university years in London. An absorbing read, it covers James's inability to hold down a job, a relationship, and his ability to hold down an awful lot of alcohol. Written in a style that occasionally grates with its use of quotes from authors you may or may of never heard of, James seems to want the reader to see just how intelligent he is, having been to Cambridge on a postgraduate basis. Nonetheless, a solid read, that will have you chuckling away like I did most of the time.
In the second part of his memoirs Clive James remembers arriving in a snowy winter England with unsuitable clothing and not much money. Published in the eighties when James was a somewhat more visible figure than he is now, this sixties journal recounts crummy decrepit accomodation, bad clothing, jobs that offer very little, and even worse food. In between this there are parties and women, him discovering his love of Opera, applying for Cambridge, writing poetry and falling out of love with the revolutionary left. an amusing and entertaining read in the man's usual style