- Paperback: 128 pages
- Publisher: Bantam Doubleday Dell; 1 edition (1 Sep 2003)
- Language English
- ISBN-10: 0385510098
- ISBN-13: 978-0385510097
- Product Dimensions: 23.2 x 18.2 x 1 cm
- Amazon Bestsellers Rank: 1,026,247 in Books (See Top 100 in Books)
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More About the Author
Product Description
Product Description
From his early newspaper comics to the sophisticated graphic novels he produces today, Will Eisner has been a pioneering force in comics for more than sixty years. Ron Goulart, writing in Book World, declared, “A shrewd, thoughtful man, Eisner has always had a knack for deftly combining dialogue and images to tell his story,” and fellow graphic novelist Alan Moore simply said, “Eisner is the single person most responsible for giving comics its BRAINS.” And Amazon.com, which called him "the Elvis of comics," said, "It's fair to say that Eisner invented modern comic art."
In FAGIN THE JEW, Eisner proves himself to be not only a master of comic storytelling, but also an incisive literary and social critic. This project was first conceived as an introduction to a pictorial adaptation of Oliver Twist, but as he learned more about the history of Dickens-era Jewish life in London, Eisner uncovered intriguing material that led him to create this new work. In the course of his research, Eisner came to believe that Dickens had not intended to defame Jews in his famous depiction. By referring to Fagin as “the Jew” throughout the book, however, he had perpetuated the common prejudice; his fictional creation imbedded itself in the public’s imagination as the classic profile of a Jew. In his award-winning style, Eisner recasts the notorious villain as a complex and troubled antihero and gives him the opportunity to tell his tale in his own words. Depicting Fagin’s choices and actions within a historical context, Eisner captures the details of life in London’s Ashkenazi community and brilliantly re-creates the social milieu of Dickensian England.
Eisner's fresh, compelling look at prejudice, poverty, and anti-Semitism lends an extraordinary richness to his artwork, ever evocative and complex. Like the modern classics Maus and The Jew of New York, FAGIN THE JEW blends image and prose in an unforgettable exploration of history.
In FAGIN THE JEW, Eisner proves himself to be not only a master of comic storytelling, but also an incisive literary and social critic. This project was first conceived as an introduction to a pictorial adaptation of Oliver Twist, but as he learned more about the history of Dickens-era Jewish life in London, Eisner uncovered intriguing material that led him to create this new work. In the course of his research, Eisner came to believe that Dickens had not intended to defame Jews in his famous depiction. By referring to Fagin as “the Jew” throughout the book, however, he had perpetuated the common prejudice; his fictional creation imbedded itself in the public’s imagination as the classic profile of a Jew. In his award-winning style, Eisner recasts the notorious villain as a complex and troubled antihero and gives him the opportunity to tell his tale in his own words. Depicting Fagin’s choices and actions within a historical context, Eisner captures the details of life in London’s Ashkenazi community and brilliantly re-creates the social milieu of Dickensian England.
Eisner's fresh, compelling look at prejudice, poverty, and anti-Semitism lends an extraordinary richness to his artwork, ever evocative and complex. Like the modern classics Maus and The Jew of New York, FAGIN THE JEW blends image and prose in an unforgettable exploration of history.
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Amazon.com:
9 reviews
6 of 6 people found the following review helpful
A new twist on Oliver Twist
8 Sep 2004
Format:Paperback
Will Eisner, a master of the graphic novel, has given the story of Oliver Twist a new perspective by presenting Fagin in the accurate historical context of the Ashkenazic Jewish community in Dickensian London. The first third of the story invents a back-story for Fagin that shows how mistreatment and prejudice forced him into a life of crime as his only means of survival. This section also makes an impassioned statement about the hardship faced by the German and Middle European Jews, who had problems integrating into British life. The rest of the story is mostly a rehashing of the original Dickens story in Fagin's voice.
In the book's foreword and epilogue, Eisner says that his awareness of the influence of imagery on popular culture led him to create graphic novels with themes of Jewish ethnicity and prejudice. He discusses how Dickens portrayed the Jews as a criminal element in London and provides prints by George Cruickshank and other artists of that time who perpetuated the visual Jewish stereotype. Although his illustrations are rendered in sepia tones that recall the illustrations of Dickens' novels, Eisner has tried to counter the stereotypical portrayal of Fagin by drawing him as he might really have looked. All in all, this novel provides new insight into the complex character of Fagin and a fresh and innovative retelling of the Dickens classic.
Eileen Rieback
In the book's foreword and epilogue, Eisner says that his awareness of the influence of imagery on popular culture led him to create graphic novels with themes of Jewish ethnicity and prejudice. He discusses how Dickens portrayed the Jews as a criminal element in London and provides prints by George Cruickshank and other artists of that time who perpetuated the visual Jewish stereotype. Although his illustrations are rendered in sepia tones that recall the illustrations of Dickens' novels, Eisner has tried to counter the stereotypical portrayal of Fagin by drawing him as he might really have looked. All in all, this novel provides new insight into the complex character of Fagin and a fresh and innovative retelling of the Dickens classic.
Eileen Rieback
5 of 5 people found the following review helpful
Okay, but not his best . . .
23 Jan 2004
Format:Paperback
I really like Eisner's straightforward graphic novels. He's much more concerned with telling the story than with inventive layouts, cinematic artwork, and impenetrable plot-lines, as so many of his younger contemporaries are. That said, I'm afraid I'm not as impressed with this effort as with, say, _A Contract with God._ This is a retelling of Dickens's _Oliver Twist_ from the point of view of the much-loathed Fagin, mentor of street urchins in the ways of London ghetto survival, with emphasis on his early life and character development. The thing is, even knowing how he developed into the creep he became, even sympathizing to some extent with his lousy home life and bad breaks, there's still not much to like about Fagin. Although there's not much to like about most of his contemporaries, either. For that matter, Oliver himself, revealed in adulthood as a rather smugly successful barrister, also comes across as less than admirable. If this is the point Eisner wanted to make, he has succeeded, but I had hoped for something psychologically a bit deeper.
5 of 6 people found the following review helpful
Good story, even if I'm not sure I believe it
22 Sep 2004
Format:Paperback
While I loved the idea, I think Eisner made Fagin a bit too nice to be believable in this version. In the novel, Fagin can be nice, but is definitley creepy and is hinted at being a pedophile and a homosexual. So seeing him like this was a little unbelievable, but if you do accept the notion that Fagin was real and told his story to Dickens, then maybe this works.
And the story is compelling, particuarly the first part with Fagin growing up as a young Jewish boy. I particuarly loved the scene where Fagin and his father celebrate Daniel Mendoza (a real Jewish wrestler)'s victory. The middle is fine as well, but when Eisner tries to cover the last bit of the story its a bit too much of a crunch. You just can't compress such a huge novel like that. Also, he gets a few important facts in the story wrong. Nevertheless, the epilogues were great. Those who complain about coincidence need to remember that Dickens relied on that often in his books.
All in all, not the best or most believable graphic novel, but one that I liked a lot as a Jew and a Dickens fan.
And the story is compelling, particuarly the first part with Fagin growing up as a young Jewish boy. I particuarly loved the scene where Fagin and his father celebrate Daniel Mendoza (a real Jewish wrestler)'s victory. The middle is fine as well, but when Eisner tries to cover the last bit of the story its a bit too much of a crunch. You just can't compress such a huge novel like that. Also, he gets a few important facts in the story wrong. Nevertheless, the epilogues were great. Those who complain about coincidence need to remember that Dickens relied on that often in his books.
All in all, not the best or most believable graphic novel, but one that I liked a lot as a Jew and a Dickens fan.
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