Anyone looking to adapt one of Patrick Gale's books for the screen might try this one, which has lots of local colour, lots of ripe characterisation, and lots of simultaneous subplots, just like a Midsomer Murder. But unlike Midsomer Murders, Facing the Tank suffers from uncertainty of tone, and at times its burlesque is reminiscent of Tom Sharpe's comic novels, which in this context is counterproductive. It doesn't help that the main characters are neither admirable nor likeable, and there are subplots which just vanish, and others which spring into existence unexplained. Without giving any of the plot away, several of these blind alleys involve children. The main plot vehicles manage to avoid the pile-up at the end, and the book offers lots of compensations along its convoluted way, but it seems to be an early and formative work.