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Alongside Franju's Les Yeux sans visage, Mamoulian's Dr. Jekyll and Mr. Hyde, and Whale's Frankenstein, Teshigahara and Abe's The Face of Another stands proud as one of cinema's most haunting explorations of identity. The Masters of Cinema Series proudly presents the film for the first time in the West on home video.
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Most Helpful Customer Reviews
6 of 7 people found the following review helpful:
5.0 out of 5 stars
Faustian and darkly amusing,
By Dooby Duck (Disco Bus) - See all my reviews
This review is from: The Face of Another - Masters of Cinema series [DVD] (DVD)
An excellent recent birthday present and I was surprised to read the other negative reviews here. The whole brilliance of this story lies in the fact that there is never anything sympathetic about the main character. Disfigured to the point of prefering to wear banadages for the rest of his life, we never encounter him before what is only adumbrated as an horrific industrial accident. It is neatly suggested that it is his mistake in fitting a gas mask that contrains him to wear other masks for the rest of his life. At another level, however, it is simply about establishing the backdrop for the story - a kind of dual interpretative level the film continues to offer up throughout without being heavy handed. Indeed, it is entirely likely that he was already an inveterate neurotic and narcissist, but that is part of the ambiguous mix of possible scenarios, emotions, psychonalysis and philosophy this film throws at the audience without fully confirming any particular take. And in any case Nakadai remains utterly compelling throughout. A scene where he does a little dance in front of a hotel mirror is so subtley conceived and impishly daemonic as to be my favourite moment. Moreover, the monotone voice one reviewer mentioned has a clear motivation in his character and is discussed in the film. It would be easy to dismiss some of the montage and lighting techniques as dated, but in my view they would have looked distincly odd at the time anyway. Playing with conventions from still photopgraphy, Pop Art, surrealism and non-naturalistic theatre is all part of the fun here. Throw in a dash of budget Frankenstein, Jekyll and Hyde, some Zen-esque musings and you have an engaging film. A parallel story cuts in every so often as a counterpoint and the whole leaves you with that feeling of "I'm not quite sure what it meant, but it was good" which Teshigahara was propobably aiming for. Finally, a word on the music - well worth a second watch and a second listen.
2 of 3 people found the following review helpful:
5.0 out of 5 stars
Hiroshi Teshigahara,
By MarkusG "Markus" (Stockholm, Sweden) - See all my reviews
This review is from: The Face of Another - Masters of Cinema series [DVD] (DVD)
"The Face of Another" is a chillling movie about a man who, after an accident, get an artificial face. The story is, of course, about identity, the connection between the face and the personality. At the same time this is a visually complex film. Interspersed through the story are episodes of a film the protagonist has seen, about a young woman with a deformed face. Also, the milieus are quite odd, from the strangely designed and disturbing laboratory of the psychiatrist/scientist who creates the face, to the german beer hall.
The picture on this DVD is very good. And the commentary track with Tony Rayns is really excellent!
12 of 28 people found the following review helpful:
3.0 out of 5 stars
Ambiguity -intentional and unintentional,
By
This review is from: The Face of Another - Masters of Cinema series [DVD] (DVD)
I don't know whether you could say that this is a lesser work of cinema to 'Woman of the Dunes' or simply that the storyline and the setting of the latter give it a natural headstart on this film.For non-Japanese speakers (like myself) I would definitely advise renting this film before buying - the reason for this is that throughout the film the English subtitles are not quite English to the extent that it may be an obstacle to developing a more long term relationship and understanding with the film. All evidence is that in creating the subtitles a Japanese translator was used without a significant subsequent revisional process to render into fully proper English. At many points I felt that the subtitles were not 100% fully or accurately conveying the content of the Japanese dialogue and this poses a significant problem in a film where the plot is not straightforward and deliberately plays with ambiguity, the borders between fantasy and reality, certain characters apparently being partially real, partially representations of the main characters own subconscious thought etc. I was left wondering to what extent the overall ambiguity experienced and the hypothesing this raised actually resided in the film and was the intention of the filmakers and what was merely a product of the subtitles - perhaps for a Japanese viewer things would have been much more straightforwardly ambiguous!
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