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Yet for me, this is often a somewhat melancholic sound which weighs upon you after some listening. In the case of the soaring instrumental tracks such as 'Pilgrimage', 'Dying light', and 'Into the Escape' this is a sign of the old Delerium influence coming through in Fulber, but it isn't strong enough in the vocal tracks to produce any real affinity with the Gothic darkness of Karma. Rather this a mellowed version of that sound, composed with a more reflective air. This isn't a negative criticism, but more that the eclectic sound of the first album struck me more as an interesting departure from Fulber's previous territory.
Having said that, there's still enough innovation in this album to make it intriguing. Indeed, in the case of Fulber's singing on 'I believe' the experiment may have gone a bit awry, but it's certainly unusual. Over all, this album is good balance of the qualities that Fulber is noted for: an excellent production, with a good mix of instrumental and vocal tracks; displayed with the usual superb artwork (albeit with a frightening image of Fulber returning to his caveman roots - check out the facial hair!); and exhibiting a sound that is just a little different.
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