- Hardcover: 272 pages
- Publisher: St. Martin's Press; 1 edition (May 2003)
- Language English
- ISBN-10: 0312313586
- ISBN-13: 978-0312313586
- Product Dimensions: 24.1 x 15.6 x 2.4 cm
- Amazon Bestsellers Rank: 2,738,483 in Books (See Top 100 in Books)
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8 reviews
48 of 52 people found the following review helpful
From *DarkEcho*: For Both MATRIX & Cyberpunk Fans
16 April 2003
Format:Hardcover
You never know quite what to expect from a nonfiction tie-in to a
popular film or series. (I'm sure one of these days we'll see THE RELIGIOUS IMPLICATIONS OF DOCTOR WHO,
and HANNIBAL LECTER'S FAVORITE RECIPES and they'll be just as bad as
those titles suggest.) But EXPLORING THE MATRIX, edited by Karen
Haber, exceeds whatever the expectations are -- and with considerable
brio.
popular film or series. (I'm sure one of these days we'll see THE RELIGIOUS IMPLICATIONS OF DOCTOR WHO,
and HANNIBAL LECTER'S FAVORITE RECIPES and they'll be just as bad as
those titles suggest.) But EXPLORING THE MATRIX, edited by Karen
Haber, exceeds whatever the expectations are -- and with considerable
brio.
EXPLORING THE MATRIX offers far more than a choice of red or blue
pill. There are predictable references to William Gibson, P.K Dick,
Charles Dodgson, Jack Williamson, and Nick Bostrum; but there are
also random flashes of the unexpected: "Punk fashion has always been
protective armor. The spikes, the leather, the razors, the zippers,
they are what you put on after flower-power has choked to death on
its own vomit. It's Kevlar for the soft marshmallow core of youthful
idealism." (Bruce Sterling)..."The result of figure _without_ ground
is _Symbolism_." (Dean Motter)... "the most successful movements are
always punished by becoming clichés" (David Brin)...Joe Haldeman
muses briefly about interpreting the movie through the obscure
mythology of sf fandom (and wisely tiptoes by that sleeping dog.)
You'll find some agreement and constant contradictions: THE MATRIX is
nothing but style / THE MATRIX has spiritual depth. It has nothing to
do with cyberpunk; it has everything to do with cyberpunk. And the
essays say a surprising (and contradictory) amount about cyberpunk
itself. Most of the essays are more entertaining than weighty. It's
all well-written, formalized "sitting around the bar with very
intelligent, witty friends at a great con" stuff rather than
dissertation material. You'll find yourself wanting to continue the
discussion -- "Well, yes, but what about..." or "Oh no! I have to
disagree..."
Paul DiFillippo's essay on literary influences solidly connects
everything and everyone from the Bible, Blake, and Baum to Michael
Moorcock and Neil Gaiman. Haber considers the black joke that the
high-tech sfx movie is profoundly anti-science. Alan Dean Foster
proves that the movie's true meaning is that nerdy geeks can triumph.
Ian Watson's essay connects THE MATRIX to French social theorist Jean
Baudrillard and convincingly argues it should be seen as a superhero
movie exploiting, rather than exemplifying, cyberpunk themes. John
Shirley seems to be the only writer to recognize "the group of films
galvanized by the same furnace of fermenting realization" along with
THE MATRIX. Rick Berry writes on the ancient past of CGI and
expresses refreshing optimism about cyberspace.
The essays are accompanied by the magnificent art of Darrel Anderson
(who also supplies an essay) and Robert Zahrab (which, sadly I could
get only an impression of since I have the galley and not the
finished product) and spiffy design. A must-read for the film's fans,
EXPLORING THE MATRIX it's highly recommended reading for science
fiction buffs as well. -- Paula Guran
#
1 of 1 people found the following review helpful
The Matrix examined by science fiction authors
8 Feb 2008
Format:Hardcover|Amazon Verified Purchase
This is a very interesting book, with essays written by several science fiction and cyberpunk authors, like John Shirley, Bruce Sterling, Stephen Baxter and others. Some essays are great, others are so-so, but all in all, it is definetly worth its price.
Berglund Center for Internet Studies Review by Jeffrey Barlow
11 May 2011
Format:Hardcover
Perhaps the central idea of the Matrix, and one explored in great depth in Haber's work, is the relationship between reality and between perceptions of reality. The protagonists are battling in a Gnostic world---that is, one in which "reality" is what the participants perceive it to be (the workaday world of the early 21st century), rather than the underlying "true" reality, (a distant future in which computers grow humans in pods and harvest their biochemical energy while programming them to accept their cable-fed perceptions as "real"). Haber's contributors discuss everything from the possibility of such a world (how much energy can be harvested from human beings as opposed to the amount of energy necessary to maintain the fictitious "reality") to its desirability (if such a world were possible, wouldn't it be preferable to this one, for many of the world's population currently living in misery?).
For those of us interested in computing and the Internet, these topics are all familiar ones to us: what is the reality of the Internet? Do we spend too much time there, wherever "there" is? What is the impact of computers in our own lives? What should it be? Are we going down a dangerous path ending in a pod or its intellectual or moral equivalent?
For a full review see Interface, Volume 3, Issue 3.
For those of us interested in computing and the Internet, these topics are all familiar ones to us: what is the reality of the Internet? Do we spend too much time there, wherever "there" is? What is the impact of computers in our own lives? What should it be? Are we going down a dangerous path ending in a pod or its intellectual or moral equivalent?
For a full review see Interface, Volume 3, Issue 3.
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