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Geller and Pikul's adventures in the game reality uncover more espionage and an antigaming, proreality insurrection. The game world makes it increasingly difficult to discern between reality and the game, either through the game's perspective or the human's. More accessible than Crash, eXistenZ is a complicated sci-fi opus, often confusing, and with an ending that leaves itself wide open for a sequel. Fans of Cronenberg's work will recognize his recurring themes and will eat this up. Others will find its shallow characterisations and near-incomprehensible plot twists a little tedious. --Jerry Renshaw, Amazon.com
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People also have a problem with the ending where the film seems to fall apart and becomes very confusing. Personally I think that this confused ending compliments the film, whether it is intentional or not. There are some decent performances from the stars Jude Law and Jennifer Jason Leigh, and many small appearance from high flyers such Ian Holm and William Dafoe. This is a star-hunters dream.
I thought this was a great film that tackled the issues involved in an interesting and subtle way. The highlight for me was the scene where inside the game Ted says "We're both stumbling around together in this unformed world, whose rules and objectives are largely unknown, seemingly indecipherable or even possibly nonexistent, always on the verge of being killed by forces that we don't understand ... that sounds like a game that's not gonna be easy to market", to which Allegra responds "But it's a game everybody's already playing".
The DVD of this film contains pretty interesting commentary from director David Cronenberg and seperate commentary from director of photography Peter Suschitzy, and visual and special effects supervisor Jim Isaac. I can't say that I've listened to all three, and it is unusual to have commentary from anyone other than the director and the stars. There is also a documentary focusing on production designer Carol Spier. Why they decided to focus on these important but unrecognised members of the film crew is uncertain, but it does all make for some insight into how a film like this is made.
For this price, I would definitely recommend that you fork out for this DVD ... but only if you've already seen the film and know whether or not it suits you. You'll either love it or hate it.
Existenz doesn't boast stunning visuals or ground breaking effects, but its strength lies in its understated presentation: without realising it, you are gradually sucked into an increasingly disturbing metaphysical territory. Of all the abovementioned films, Existenz is the only one that actually forced me to pause for a moment in order to recollect which of the nested levels of reality the protagonists were currently experiencing, and the only one where the post-movie conversation centred more on the intricacies of the premise than the effects.
And it's always nice to see a movie that credits the audience with some intelligence. It's perhaps unfortunate that such a clever film drips with Cronenberg gore, but if you can stomach that, it is still fully deserving of its five stars.
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