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When I was growing up, not only did my family walk around spouting sesquipedalians, but we viewed all forms of intellectual competition as a sacrament, a kind of holy water as it were, to be slathered on at every opportunity.From very long words it's just a short jump to literature, and Fadiman speaks joyfully of books, book collecting and book ownership ("In my view, 19 pounds of old books are at least 19 times as delicious as one pound of fresh caviar"). In "Marrying Libraries" Fadiman describes the emotionally fraught task of merging her collection with her husband's:
After five years of marriage and a child, George and I finally resolved that we were ready for the more profound intimacy of library consolidation. It was unclear, however, how we were to find a meeting point between his English-garden approach and my French-garden one.Perhaps some marriages could not have stood the strain of such an ordeal, but for this one, the merging of books becomes a metaphor for the solidity of their relationship. Over the course of 18 charming essays Fadiman ranges from the "odd shelf" ("a small, mysterious corpus of volumes whose subject matter is completely unrelated to the rest of the library, yet which, upon closer inspection reveals a good deal about its owner") to plagiarism ("the more I've read about plagiarism, the more I've come to think that literature is one big recycling bin") to the pleasures of reading aloud ("When you read silently, only the writer performs. When you read aloud, the performance is collaborative"). Fadiman delivers these essays with the expectation that her readers will love and appreciate good books and the power of language as much as she does. Indeed, reading Ex Libris is likely to bring up warm memories of old favourites and a powerful urge to revisit one's own "odd shelf" pronto. --Alix Wilber
The essays are about the buying, collecting, organizing and reading of books – particularly engaging examples concern Fadiman and her husband finally deciding to combine their separate libraries; the various ways of marking a page (do you mark it with an object – and if so, what type of object? – or do you simply leave the book face down at the page?); the ‘Odd Shelf’ in one’s personal library (Fadiman describes the ‘Odd Shelf’ as ‘a small, mysterious corpus of volumes whose subject matter is completely unrelated to the rest of the library, yet which, upon closer inspection, reveals a good deal about its owner’); and the revealing nature of book inscriptions.
An especially attractive feature of the essays is how they reveal Fadiman’s bibliophilia not as a replacement for other emotional attachments (not an unknown characteristic of bibliophiles), but as highlighting the strength of her relationships with her husband, children, parents and friends. Ex Libris is an intensely human book about a relationship with objects.
Very enjoyable.
I recommend this delightful and beautifully written book to anyone who loves books. You might like to have a good dictionary beside you when reading it. My vocabulary wasn't up to the job but my dictionary was on hand and now my vocabulary is a little bulkier than it was when I started.
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