It's weird seeing your first crush, nay, love two decades on, looking all chic and fresh. The June Brides were the first band I truly fell for in my late teens, after years of falling out of love with music. My first crushes, Madness, Altered Images, Adam & The Ants and The Specials had all disapeared or were well past their primes and the tail end of New Romantic and fake soul pop weren't doing it for me.
The first four songs I heard were broadcast on John Peel, the only session they recorded for the show, and I thought they were fantastic, all aching vocals and melodies, guitars, bass and drums beautifully augmented by a viola and trumpet, and I rushed out to buy everything I could by the band. In truth, that didn't add up to much - a mini album and a couple of singles. Two more singles would follow and then that was it. Yet this small but perfectly formed canon would sustain me through many years when other, lesser bands, fell out of favour. Guitarist and vocalist (and main songwriter) Phil Wilson had the briefest of solo careers on Creation, producing two excellent, country tinged singles then retired, battered and bruised by his experiences in a cut throat music industry.
Everything the band recorded/released is contained on these two cd's, from the debut single 'In The Rain' with its post-punk, slightly austere sound, to the final single 'This Town' which is just gorgeous, a tale of defiance and regret set to a swooning, lushly arranged tune. The Phil Wilson material is as strong, although it wasn't particularly well-received at the time (country influences, this is the indie punk wars you traitor) and there are two songs on this I'd never heard, 'Better Days' and 'The Written Word' which were recorded with Primal Scream's Andrew Innes and released as a limited edition 7" on Bob Stanley's (he of Saint Etienne fame) Caff Corporation. They make a fitting epitaph for a fine career, if not in terms of sales or longevity, then in the high standards of performance and songwriting highlighted on this double album.
The packaging is beautifully designed with extensive sleevenotes and this is fantastic package and as good a document of one of the best bands of the 1980s in a period when indie was short for independent - an aesthetic spirit and politics - rather than a generic term for slightly leftfield guitar bands with nothing to say for themselves. Slightly awkward, angular and committed The June Brides have stood up to the passing of time and sound as fantastic as they ever did.
They were Morrissey's favourite band of 1985, they were mine for many years after, and they could be yours as well.