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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Massie's Roman series takes a brilliant diversion, 1 July 2004
There's nothing remarkable about this story: at first glance it is the simple romantic cliché of humble boy rising to great heights. From this seemingly basic foundation Massie builds an altogether different structure. This isn't a historical novel written in modern language. The story is just one device he uses to transport you to the past. His cunning use of language and narrative diversions hint at a world that is as strange as it is distant in time. Its rich array of characters and deep perversions are chequered with often disapproving footnotes by two later, conflicting commentators. Therein lies the genius of this work: the story is simple, but Massie's "fictional" original author has an agenda all of his own, and it is up to the reader to work out his motives and those of his commentators. Reading this book is like looking at a simple picture that, through Massie's deliberately distorting lens, slowly turns into something altogether different, and somewhat disturbing.
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9 of 10 people found the following review helpful:
3.0 out of 5 stars
A novel approach, but not for me, 6 Aug 2004
This work certainly demonstrates the author's knowledge of all aspects of this era. He successfully develops a range of characters that encompass a fairly broad spectrum of the society of the time. The book also moves along at a fair pace, shifting locations and situations rapidly and mixing fantasy with more real storytelling. These are the positives. On the negative side, I found the book's mix of characters to be unsatisfying - Marcus is rather unbelievable and his adventures hit the heights and plum the depths with unrelenting regularity and his 'noble bearing' became a bit unbearable. I also found the two 'reviewers' as well as the 'author' added little value and only got in the way of the story. Credit to Alan Massie for his use of these devices, but they didn't do it for me. In summary, an instructive but ultimately unsatisfying read - I wasn't left feeling any empathy with the characters and won't be buying the next in the series.
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0 of 1 people found the following review helpful:
1.0 out of 5 stars
Not so much a novel, more a film proposal, 16 Dec 2008
This review is from: The Evening of the World: A Novel (The matter of eternal Rome) (Hardcover)
I'm not familiar with any of Massie's other work and I picked this up to read when illness required me to do nothing. Otherwise I shouldn't have persevered.
I'd say that, as a novel, it's no better than a second draft. Some episodes are far longer than their content warrants, and longer than other episodes of similar weight (or triviality). There is much that is irritatingly superfluous - if a writer is admitting on the page that such and such is a digression, what's the point of leaving it there? Much of the book reveals assiduous research and probably a genuine love of the history but the many digressions appear to me as false starts in the plotting and they ought to have been cut before publication. The characterisation is shallow and the erotic stuff gratuitous, especially the homo-erotic, which seems to me as self-indulgent private fantasizing and, again, should have been rigorously checked for plot relevance before publication.
That's all if it's a novel. But I suspect it's really intended to be a film proposal. As such, all its literary shortcomings find a ready explanation, and it's revealing that the style becomes sloppier towards the end -- if the film-makers have read that far they won't be put off by the lack of copy-editing. I find it insulting that an author has foisted on the reading public a piece of work that is nowhere near polished enough to be a novel but (I suggest) is flying a kite at our expense in the hope that some film company will notice it. I'm wondering which part Mr. Massie has in mind for Kiera.
The anti-clerical analysis was fun but it wouldn't be enough to get me even to open the covers of another Alan Massie, far less to buy one.
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