This band is one of my many guilty pleasures. Their first album
Fallen took up a large chunk of my soundtrack to my teenage years. They were a bridge from my love of popular music like Britney Spears
...Baby One More Time (2009 Remaster) and Billie Piper
Walk Of Life, to my left of the dial listening such as Nirvana
In Utero, The Strokes
Is This It and Black Sabbath
Black Sabbath . Which in turn, has evolved into my huge CD collection spanning most genres.
After the first listen I was very disappointed. The all too familiar drop D tuning chugging away in the background with some Aeolian piano arpeggios or `twiddles' low in the mix. There were no exceptional riffs or solo's to speak of.
My next criticism is in the production of the album. With the previous two albums it sounds like Amy Lee's voice is another instrument in the band. It blends well and sounds like a core structure within the song. On this album however it just doesn't gel at all. A visual comparison would be the CGI
The Scooby Doo Live Action Movie Collection : Scooby Doo / Scooby Doo 2 - Monsters Unleashed (2 Disc Box Set) [2002] [DVD] in the live action movies. They dump him in along with real actors and although you know he's there and he's an integral part of the story, something just doesn't feel right. I am not a producer and nor do I strive to be, but I am an avid listener and my ears will pick up on it if it's not right.
On the subject of Amy's vocals, the melody's she sings are astounding, almost hypnotic. It would appear that over the years she has honed her melody creation skills and she is delivering hooks left right and centre. Some of the lyrics are cringe worthy, but that comes with the territory. For example the opening lyrics of `Ocean':
`Don't wanna be the one to walk away,
But I can't bear the thought of one more day'
It sound's like the dribble coming from an emotionally vulnerable teenagers diary. There are more examples of this throughout the album but I think one example is enough.
What should be this albums biggest downfall is in fact its saving grace. This album sounds like, feels like and maybe even tastes like (I haven't tried it) an Evanescence album. From Amy's whiney nasal vocals that shouldn't sound nice to the unimaginative guitar solos. None of it should work but for some reason it does. If you like the first two albums, you will love this album. They've taken `Don't fix what isn't broken' very seriously. This album is 5 years on from its predecessor
The Open Door, but sounds like it was written and recorded at the same time.
There are a few small changes. The new drummer is superb. His double bass pedaling and crafty symbol crashes give the ear a start when the song feels like falling into familiarity. A good example of slight changes in performance and composition of songs is a track called `My heart is broken'. I think for the first time in any Evanescence song the piano mimics the vocal line in the background. I have never heard this on an Evanescence track before. This song is another example of a great vocal hook masking awful lyrics. The title of this song is sung with an absolute desperate tone while hanging out the syllables of the word down half a Dorian scale then finishing up with a descending minor second.
If Evanescence changed their style they would ultimately loose there fan base. This band is a great example of marketing. They won over a huge army of teenage fans (myself included) 8 years ago by writing songs that they could identify with, trick used by Marilyn Manson (
Mechanical Animals) in the 90's, and by being loyal to the fans of that particular generation they are guaranteed sales.
In summary this album is paradoxical. It's a compilation of negative elements, such as Amy's voice and mediocre guitar riffs, fused together and produces a positive outcome. After successive listening I have come to the conclusion that this album is a `grower'. I think it would be nice in the future to hear some collaborations, like Hayley Williams (from Paramore) and B.O.B.'s song Airplanes.