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It turns out they have a past, however. The films runs nearly in reverse, will the events of the past listing themselves in reverse order- going back to when they first met. But in between both Joel and Clementine have their memories of each other erased, and the film tells of Joel's struggle to let go of what he discovers are precious memories.
This is a breath taking film. The first part is quirky and jumpy; however stick with it. It builds into a masterpiece of desperation as Joel realise's through living his memories again that there will come a time when she is gone from his life- again- and it hits him that he has to say goodbye.
The sub story is of the people who provide the memory treatment. Kirsten Dunst and Elijah Wood play what seem to be unimportant distractions in Carey and Winslet's tale, but as momentum builds, they become the key to their future.
I loved this film. Although it starts as something you have to think about, it build into an emotional masterpiece, one is which makes you realise how precious your memories are, and how much you take them for granted. You are left in a world which you simply don't want to leave.
One of the few films I would recommend buying.
Jim Carrey plays "Joel;" a quiet and shy person who keeps to himself most of the time. He's bummed out when he discovers that his girlfriend had a new procedure done in where she has erased him from her memory. Not knowing what else to do, Joel decides that he must get the same thing done to him and goes to the clinic to have her erased from his memory, hoping that the pain and sadness will go away. When he's undergoing the procedure, unconscious and reliving the memories as they are being erased, Joel begins to realize that there were some very happy moments he had with her and he doesn't want to lose them after all.
It's really hard to categorize a movie like this. While it is indeed a comedy on some levels, it has a lot of dramatic elements to it, as well. Because of this, people will either fall in love with it or despise every minute of it. What really struck home with me is how honest and creative it really is. You'll find a lot more honesty and truth in "Eternal Sunshine of the Spotless Mind" than in most of the "cute" comedies that are out there today. It is extremely easy to relate to the characters, and that is what makes it all the more realistic for us. Jim Carrey is absolutely fantastic in this, as he is very controlled and doesn't try to steal the show. This is when you really get to see his acting skills shine. Kate Winslet takes the challenge of playing opposite of Carrey head-on and succeeds every single time. We cannot forget about Elijah Wood, Mark Ruffalo, Kirsten Dunst and Tom Wilkinson, who also make the movie that much more entertaining.
What I really admire about the movie is the theme of it, and that is that just because a relationship doesn't work out in the end, it doesn't mean that it was time wasted. Sure, there are certain memories we wish would go away somehow, but how would that change us as a person if we could do such a thing? We learn from our experiences; from the good and the bad. That's how we mature as human-beings, and Kaufman's clever writing really establishes that perfectly. The DVD has some cool extras, such as behind-the-scenes documentaries, audio commentary from the writer and the director, deleted scenes and more.
"Eternal Sunshine of the Spotless Mind" remains the best film to come out of 2004 for me. It's strange, yet clever; funny yet sad, and imaginative, yet honest. If you're looking for a risk-taking film that is like a breath of fresh air, then I highly recommend this excellent picture. This can possibly be the best movie of Jim Carrey's career. Take a chance and find out why so many people are raving about it in the first place. -Michael Crane
The plot, in a nutshell: Joel (Carey) discovers that his eccentric, impulsive, blue-haired ex-girlfriend, Clementine (Kate Winslet) has had all memory of him erased by a company specialising in the procedure, and he decides to have it done too. There is a subplot involving Elijah Wood and Kirsten Dunst, but the focus of the film is certainly the messed-up tragicomic alternately perfect and disastrous relationship between Joel and Clementine. The majority of the film then takes place inside Joel's mind as he chases Clementine through his memories and watches them fade away.
The deepest parts of Joel's memory begin to collapse in chilling, sad and sometimes downright scary sequences, as books lose their writing, buildings tumble, places and people fade and disappear and faces lose their features. At the same time we catch a glimpse of the insecurities of both characters that originally brought them together. Corny romanticism is thrown aside: this film is uncompromising, realistic and honest, and the relationship between the characters is both glowing with light and life and shadowed by their differences. The delightful idiosyncrasies of the objects Joel names as having an association with Clementine (a giant stuffed skeleton doll, people made of potatoes, journals, mugs, pictures, cards, snowglobes...) reveal the crazy truth that exists between people.
There is some humour, but it's neither slapstick nor simple and always touched by sadness: there is the charming familiarity of childhood humiliation and of speaking the words through to a silent film, and the pathetic humour behind the old woman in the waiting room preparing to have her memory erased with tears in her eyes, clutching a box containing a bone and a dog-bowl with her pet's name on it. Not a shiny happy film, then, but a dark, fractured and yet somehow uplifting account of love.
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