Following Holland's spellbinding home-taped debut album Catalpa, I was slightly apprehensive that she'd lose some of the magic recording in a proper studio. I'm delighted to find Escondida is an unqualified triumph. The music is by turns playful, heartbroken, mournful and uplifting. The sound quality this time is pristine but these recordings are packed with the soul, warmth and ingenuity which made Catalpa so captivating.
Holland's entrancing voice alone makes this CD well worth buying but there's so much more which sets this work apart from anything else around. Where else would you find something as weird and wonderful as Mad Tom of Bedlam, a surreal, witchy folk song transformed by a killer swing beat? Or her bluesy beatnik spoof of Old Time Religion which, in Holland's hands, becomes an ode to morphine? Her original songs are just as brilliant and inventive, ranging from ghostly melodies performed on a musical saw to a cheeky romance about a boy with a fetish for trains.
For me, this album confirms Jolie Holland as one of the great musical talents of our time.