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In telling a compelling personal story, Tobin raises issues that should make this book mandatory reading for any who intend to practice the art of capturing and conveying military operations. There are the personal aspects that established Pyle's unique approach to covering this subject it, made him seek it, and kept him at it until it ultimately cost his life. There is the tense balance between capturing what the observer actually sees and conveying what is acceptable to varous others who will filter whatever the observer sets down. There is the dynamic among the actors, the observer, the personal and institutional interests of those in charge, and the desire of those at home to have both information and assurance. Finally there are the personal costs and rewards of this kind of work.
The dilemmas that Pyle faced, in varying degrees, confront anyone working in any medium, place, or time. Again varying by the conditions, Pyle's reactions are similarly general. Perhaps the most telling episode is the brief collaboration between Arthur Miller and Ernie Pyle about a Hollywood movie: Miller driven to invest events with overarching significance and Pyle reluctant to impose elements that the moments utterly lacked.
Tobin's work seems worthy of his subject.
J. W. Williams, former historian, Implementation Force (IFOR), Bosnia
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