It certainly wasn't me. "Strata" is another major contribution to the genre, aided here by superb sound engineering, with fine and committed performances. I appreciate that some of Tuur's music might be leaving some fans behind but this sounds like a very organic whole to me. Instead of building a structure through formal development of themes what we are presented with, as the title suggests, is a work built up over many layers. Timbre is particularly important in the process and Tuur's mastery of orchestration makes the whole feel very convincing and its conclusion feel utterly inevitable.
This build up of layers and visceral physicality reminds me of Birtwhistle's "Earth Dances" and the rich chromatic mix, of Lutoslawski. The sense of organic growth is not unlike Magnus Lindberg's big orchestral scores. Tuur uses a variety of tuned and untuned percussion to ground the piece and highlight key points in the work. Tuur lives on a small island, surrounded by the sea and I don't think it is fanciful to suggest that the waves of sound in this and other works of his suggest an affinity with the sea.
"Noesis" is a double concerto for violin and clarinet. It follows the same organic route as the symphony but on a smaller scale. the work charts the drift towards a synergy between two disparate instrumental sounds. there is the semblance of a traditional concerto shape - 3 movements wrapped within the single movement structure. The finale section has more than a hint of dance and jazz: another nod to traditional concerto form. Not such a major creation as the symphony but satisfying nonetheless.
If you're looking for big tunes or something located somewhere between Sibelius and Shostakovich with a hint of Alfred Schnittke thrown in you might have a tough time getting to grips with this music. Yet, for all that, Tuur follows in Sibelius' foot steps in building a symphony with a sense inevitable organic growth.
"Strata" is a yet another big boned protein rich nordic symphony - a very good one at that. We're blessed to have so many gifted and accomplished contributors to the genre in the Baltic and Scandinavian region. This recording is a terrific showcase for the composer so it gets a big thumbs up from me.