As an Australian now living and working in London, I relished the prospect of reading a book about 'home', albeit a historical one. I remain part of a global 'book-club' that started in Sydney 5 years ago and which continues today with 2 people in Sydney, one in Dublin and myself in London. All done by email of course (how 2000) and yet we unanimously chose to read "English Passengers" for November as part of our yearly tradition of reading one of the non-winning Booker Prize nominees. And to remind some of us about home!
The verdict? I 'loved it' initially but with the passage of time, I will say that I 'really enjoyed' it. "English Passengers" is one of those books that gains most from the immediacy of reading it and conjuring up fantastic and colourful images as you turn the page. After a few weeks however, it seems more like a surreal novel or experience.
Which is not to detract from my ultimate view that this was a thoroughly enjoyable read. The story of a boat load of English passengers making their way half-way across the globe on a Manx boat ostensibly to discover the Garden of Eden in Tasmania (and other not-so worthy eugenic finds) is both ludicrous and brilliantly imaginative at once.
Above all, Matthew Kneale knows how to carry a complex narrative using a mix of diverse characters (20 at last count) relating their personal experiences and views at random. A unique approach to presenting aspects of Australia's early (and not so proud) history and Kneale certainly does an admirable job of 'capturing' voices as diverse as the Manx ship captain (world weary but wise), convicts at Port Arthur (brutal but with cause) and especially the Aborigine Peevay and his warrior-like mother (oppressed but dignified and defiant). Their individual thoughts and perspectives somehow unite by the end to present a damning and cutting opinion about the early convict settlements in Tasmania.
Kneale lets his characters present their points of view as a means of demonstrating the true horrors perpetuated against convicts, settlers and indigenous people alike by the colnial masters. He also maintains a very personal style of writing to slowly reveal his character's thoughts and emotions thereby cleverly showing up the true horrors inflicted in the name of 'progress'.
In particular, I enjoyed the way in which Peevay maintains his voice and fluency throughout (even though it is written as a form of stilted English as Kneale imagines an Aborigine might have used to express his thoughts) whilst the evil Dr Potter descends into madder rantings and bilious commentary as he persists with his racist theories. Coupled with the equally insane descent by the good Reverend Wilson, Kneale's wonderful narrative device demonstrates clearer than any polemic or sermon the absolute folly and misplaced 'goodness' inherent in the colonial mindset as it ran rampage over the indigenous population. His simple story telling and careful construction of the absurd voyage of discovery vividly shows how the catastrophe that affected Tasmania (and by extension Australia) occured.
The book is therefore a subtle and clever dig at Tasmania's (and Australia's) not so illustrious past. It is clear that Kneale has researched his topic very well but without descending into monolgues or the actual specifics about the numerous injustices against both convicts and Aborigines. Yet the book is never morose - the convict protaganists are as feisty and strong as Peevay and his mother. Tragic characters all but not to be pitied. And in highlighting both the folly and cruelty of the convict settlements almost as much as the Aboriginal tragedy, Kneale cleverly displays an even-handedness which cannot be easily disputed or criticised.
"English Passengers" certainly made me think about Australia's past in a fresh light (even though we all should be aware of the Aboriginal genocide in Tasmania) and given its style and plot development, there is a lot to be said for placing the book on school curriculums soon - both in Australia and elsewhere - as a means of trying to reconcile different cultural backgrounds and histories which experienced different but nevertheless devastating results.