Reputedly the novel that brought Greene to literary prominence, this 1935 work is full of the brooding, seedy atmosphere that was to become such a trademark of his writing. As in so many of his novels, there's not a great deal of `action'. The storyline (in brief, the decline and fall of a borderline conman who fails at a succession of jobs) is sustained, instead, by a series of more or less shabby and inconclusive encounters involving the principal character, Anthony Farrant. Though Farrant finds a kindred spirit in his sister Kate's employer, Krogh (whom she has persuaded to give her brother a job), the bond between the two men eventually proves Anthony's undoing at the hands of one of Krogh's trusted but jealous employees. Not a great novel, but full of memorably desperate characters worn down by their efforts to keep up appearances, and oozing with atmosphere.