I listened to Joe Satriani back in the late 80s when it all started, and then somehow - and inexcusably - I started to drift into other genres of music (guitar stuff still, but less technical) and more or less forgot about Joe. Oh, how glad I am that I returned to Joe a few years ago! The reason for this boring tale of my listening habits? This was the last Joe album from the "missing years" that I purchased, partly due to suspicions I had about the style and song titles, but also because some reviewers expressed, shall we say, concern, about the level of effects/synths involved.
After many listens, and seeing many of the songs played live (albeit only on DVD), my honest opinion now is that this is an exceedingly good release. I cannot pretend that there aren`t a couple of misfires ("Champagne", and "Flavor Crystal 7" are not so strong as the songs that surround them), but then that has been the story of Joe`s albums of the last ten years. More fun to focus on the highlights, as Joe really does stretch his imagination and ability. Opener "Devil's Slide" is a formidable way to start, very dark/powerful, but with one of those classic Joe guitar-duels-against-himself moments, a bit like the solo of "Ice Nine" but this seems even crazier. "Borg Sex" is an excellent song; an example of a title that put me off but has proved me very wrong. There are two similar, slower, songs, "Until We Say Goodbye" and "Clouds Race Across The Sky", both of which are extremely soulful, and another drop in pace is "The Power Cosmic 2000 Pt1", which is the kind of thing that frightens guitarists like me as Joe plays this by swapping his hands over - barring with his right hand, whilst still fretting higher up the fretboard with his left! And this leads to my favourite song on the album, the utterly insane and almost discordantly structured "The Power Cosmic 2000 Pt 2". It features lots of whammy pedal work (which is always a plus for me) but it`s not about tricks and effects, it`s about genuinely innovative and original guitar work. It gets played an awful lot on my ipod...
Maybe there are are a couple fillers, as I`ve mentioned, but it`s mostly absolutely brilliant, and something new from Joe. I wouldn`t mind at all if he returned to this style in the future.