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To The End of the Land [Hardcover]

David Grossman
4.5 out of 5 stars  See all reviews (20 customer reviews)
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Product details

  • Hardcover: 592 pages
  • Publisher: Jonathan Cape (2 Sep 2010)
  • Language English
  • ISBN-10: 0224089994
  • ISBN-13: 978-0224089999
  • Product Dimensions: 16.2 x 3.7 x 24 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Bestsellers Rank: 86,354 in Books (See Top 100 in Books)

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Product Description

Review

`This is a great novel, a rare example of a book that lives up to its billing,... quite literally, unforgettable'
--Sunday Herald

`...this is a powerful and memorable novel, which movingly evokes the strains of war and peace in one household... -- The Sunday Times

`...extraordinary epic of love, war and sorrow...Stunning -- brilliantly written and beautifully constructed.' -- The Times

`...a deeply serious, utterly honest work about the state of Israel.' -- Financial Times

'...a novel which deals with...love, intimacy, war, memory and fear of personal and national annihilation--and has overwhelmingly achieved everything.' -- The Independent

'...people are often accused of failing to see...the Israeli...view. To the End of the Land sears this...onto the memory. -- Sunday Times Culture Magazine

`David Grossman explores how words illuminate the darkest landscapes and how lives can be shaped and preserved through stories' --Daily Mail

`...wonderful, and desperately sad' --Metro

'Sorrow and magnificence go hand in hand...potent, moving and emotionally raw. To the End of the Land is unforgettable' --Marie Claire

'...This is a powerful epic of love, loss and loyalty'
-- Psychologies Magazine

"Grossman's account of Ora and Avram's lengthening flight from their painful lives is a tour de force."
--Spectator

"Extraordinary, impassioned [...]without question one of the most powerful and moving novels I have ever read" --The Guardian

"Honeyed and portentous, rhythmic and often breathless, the prose sweeps the reader into a pool of shimmering reflection"
--TLS

"An eloquent and captivating read, and quite possibly a landmark novel in Israeli fiction."
--Timeout

"often impressive, sometimes touching" --The London Review of Books

'He is the finest living novelist I have read. His work is visceral and clear-headed. Though I loved Franzen's Freedom, Grossman's novel is better' --Observer

`To define David Grossman's masterly new novel as the ultimate anti-war oeuvre would not do it justice...To the End of the Land is richer and more complex than a chronicle of war. It is an intimate portrayal of a woman and mother, Ora, who has been compared to Flaubert's Emma or Tolstoy's Anna...With characters with whom the reader can empathise, a powerful if disturbing theme and an element of suspense and the unknown, Grossman's novel, while not easy to read, is well worth the effort'
--The Tablet

Book Description

From one of Israel's most acclaimed writers comes a novel of extraordinary power about family life - the greatest human drama - and the cost of war.

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Customer Reviews

20 Reviews
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Average Customer Review
4.5 out of 5 stars (20 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

20 of 20 people found the following review helpful:
5.0 out of 5 stars this book will change your life, 15 Oct 2010
By 
L. Landau (England) - See all my reviews
(REAL NAME)   
This review is from: To The End of the Land (Hardcover)
To the end of the Land - it broke my heart to read it and yet I was so happy reading it and so grateful for the soulful experience I had when doing so.

David Grossman writes with passion, beauty and deep sorrow, evoking the Land of Israel and especially the Upper Gallilee where Ora and Avram flee during the Lebanon War. We learn how stories can keep you alive, and give you the will to carry on living in the face of danger, loss and terror. (Not Terror, which is a strange construct, and not Terrorism), but the terror and the beauty of life lived in a Land always at war. Ora, the archetypal Jewish mother is inspiring and loveable - surely a first in fiction! Grossman understands the minutae of pregnancy, birth and motherhood with a remarkable degree of empathy.

His descriptions of events during the Yom Kippur war are almost unbearable but worth the effort. You are forced to confront the details of war through the eyes of Avram and Ilan, young soldiers in Sinai/Suez in 1973. We learn how the war has shaped them, and the lives of their children ever since.

This may be the most important book I have ever read, and I wouldn't be at all surprised if Grossman wins the Nobel Prize for Literature one day soon. A "War and Peace" epic for our time and a powerful anti-war novel that is essential reading.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars The 'surreality and reality that is the daily life in Israel' / Palestine, 20 Jan 2011
This review is from: To The End of the Land (Hardcover)
Having just read David Grossman's Someone to Run With, I was excited to see the release of To the End of the Land. There is so much in this book that tries to give a picture of life in Israel/Palestine.

Some of the characters that Grossman does this through are Sami, Ora, Ilan and their two sons Adam and Ofer.

Sami the Israeli Arab taxi driver who over the years has become the only driver Ora the Israeli Jew will have, and who has done them many favours like driving for the family at short notice, and late at night, and having to suffer the humilities of the road block checks along the way, who is, in Ora's words 'like part of the family' suddenly becomes fleshed out during her request that he drive Ora and her son to 'the meetery' (the meeting place for the battalions that will invade Gaza) as Ora's son joins the call-up. As they travel the long journey to the meeting point having no option but to travel with the military convoy. Grossman takes a hard look at Sami and what he must be feeling, and how 'being almost part of the family' is Ora's view but not his felt reality - for the power relations of Jewish Isreali and Muslim Arab Israeli are starkly shown. Particularly moving is the time when he has to take a sick boy to South Tel Aviv for treatment. The boy is dressed in Ora's sons hand me down clothes including and Israeli t-shirt to disguise the fact that he is an illegal immigrant from The Occupied Territories, and Sami is forced to take him to an underground "hospital" which at night occupies a school in total secrecy, and in almost darkness lest they alert people to their presence, it opperates with one or two doctors and little medicine. A parallel world. As Sami says, he and his freiends often talk about how Isreali Jews can on one hand search him down to his underwear one moment, and then give them the keys to their schools and precious places at night. Although Ora realises her mistake at making Sami take her son to the call up, realises how hard it must be for Sami, she is nevertheless scadalized by his using her as cover to take the boy for treatment and one senses that it is a very dangerous act for both Sami and Ora, especially as it is the night of the call-up for going in to Gaza, and every Arab is treated with suspicion, and that Jews thought to be helping Arabs is also intolerable to the State of Israel. But she had begged him to make the trip to Tel Aviv for her own purpose, at night, and then exacts her price for Sami's act of taking the boy with them.

Taking her ex lover to walk the Galilee - Jerusalem Trail is an act of survival against the possibility that her son will be killed in Gaza. Not being home and simply waiting, passively, for the Notifiers to come and tell her he's dead, and taking Avram, her once dear friend and lover is a huge thing to accomplish because since his terrible torture as a POW in Egypt he has cut out his old life which included Ora, and her husband Ilan his once best friend. Avram now lives through a haze of legal drugs that he uses to knock himself out and escape the trauma of his torture, and in severe self neglect.

Ora feels that the way to keep her son alive is by talking about his life with Avram. It was another way in to show the surrealism and reality of trying to live a normal family life in Israel/Palestine, and the realities of rearing boys and girls that will, still so young, operate the Occupation, the road blocks, the wars and the capture of Palestinians deemed dangerous to the State of Israel. With huge mistrust and dislike and hatreds on both sides. The son's own part in an abuse of a Palestinian man in an army opperation for which he was not trained and Ora's crisis that a son of hers could have been involved.

I was completely drawn in to the story, and it gave me a rare insight in to what it means to be human in this type of situation. And I felt at the end of the book that I really had no idea where this ongoing tragedy in that area of the world will end up. I am grateful to DG for bring this human element so strongly to the fore, because prior to that I was very firmly in the Palestinian camp of supporters. But now it seems more complicated than ever, and he shows us how much damage has been done since 1948 with the birth of the State of Israel to peoples that in so many ways are so similar.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Probably the best book I have ever read, 18 Feb 2011
Funny how one comes to a book. I was idly listening to talk radio one day and the presenter mentioned this book, saying that although it was January he had a contender for book of the year. I was intrigued enough to download it as soon as I got home and began to read it shortly thereafter.

It starts slowly but after a while you are gripped by the beauty of the writing and the careful way the author describes mostly inner thoughts and feelings. I often marvelled at his powers of observation and description which almost compelled me to try to be more observant and aware in my own life. It was almost like he had a movie of the action/narrative and he could replay it over and over, noting any-and everything.

For a while, in certain parts, I wavered between wondering whether the writing was veering to pretentiousness or was just brilliant, and maybe there were some over the top descriptions but that was totally eclipsed by everything else.

This is my first 'review'; and I wanted to write it not because I have anything profound to say about the book but because I just want people to try it.
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