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There's no doubt, the Kaisers know their rock history: "Oh My God" and "Every Day I Love You Less and Less" barrel along with something of Madness' playful charm, while "You Can Have It All" and the lush "Caroline, Yes" appear to be conscious nods to the sleepy, harmony-laden Californian pop vision of Brian Wilson. The lyrics of frontman Ricky Wilson, however, are rooted in a very English sensibility--one often traditional and occasionally, bizarrely archaic: "Walking through town is quite scary/ It's not very pretty, I tell thee," he gasps on adrenaline-fuelled urban nightmare "I Predict A Riot". It's the sort of pleasingly unusual idiosyncrasy that sees Employment stand out from the fashionable indie pack, and assuming the Chiefs can continue to keep their foibles the right side of irksome, any attitude is thoroughly justified. --Louis Pattison
Review With "Oh My God" nestled up behind artists such as J-Lo and Girls Aloud in the UK top ten, Employment is the final jewel in the crown of the past eighteen months. Jump out of your seat for 45 minutes of a perfectly pop blend of indie, electronica and everything in between.
With producer Stephen Street working his magic on the album and the sound of Graham Coxon's motorbike opening "Saturday Night", it's all too easy to draw comparisons with Blur. Simon Rix concedes "We kind of did that to ourselves because we like Blur. There are a couple of songs on there where we nod to Blur...We do have things in there that are meant to say 'we like this band'". So prepare yourself for a journey through the eras that made British music what it is.
Employment's notable feature is undoubtedly the quirky lyrics that will turn over in your mind for hours after your first listen. 'Pn-n-n-neumothorax is a word that is long but I'm just tryin' to put some punk back into punctured lung' is a personal favourite. Combine these lyrics with an array of kitsch rhymes and polished harmonies and you're left with a tantalising catchiness that begs you to skip to the beginning and listen all over again.
Eccentric tracks like "Time Honoured Tradition" suggest that the Chiefs don't quite fit in. But the swirling melodies, soaring vocals and scintillating lyrics blend together to produce a mêlée of everything that's been missing in pop in recent years. Out of twelve tracks, all twelve entice. Employment reflects a sense of self-indulgent freedom and it's a heck of a lot of fun. --Shalinee Singh
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This is very upbeat, the kind of music to pull you out of a bad mood and make you want to dance like a mad thing. There are occasional air guitar moments, head banging moments and dozens of sing out loud opportunities. A real must if you're looking for something a little different to spice up your record collection and keep you smiling for months to come.
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