Roundly dismissed as one of Steven Spielberg's least successful efforts, this very underrated film poignantly follows the World War II adventures of young Jim (a brilliant Christian Bale), caught in the throes of the fall of China. What if you once had everything and lost it all in an afternoon? What if you were only 12 years old at the time? Bale's transformation, from pampered British ruling-class child to an imprisoned, desperate, nearly feral boy, is nothing short of stunning. Also stunning are exceptional sets, cinematography and music (the last courtesy of John Williams) that enhance author J.G. Ballard's and screenwriter Tom Stoppard's depiction of another, less familiar casualty of war. In a time when competitors were releasing "comedic", derivative coming-of-age films, Empire of the Sun
stands out as an epic in the classic David Lean sense--despite confusion or perceived competition with the equally excellent The Last Emperor
(also released in 1987, and also a coming-of-age in a similar setting). It is also a remarkable testament to, yes, the human spirit. And despite its disappointing box-office returns, Empire of the Sun
helped to further establish Spielberg as more than a commercial director and set the standard, tone and look for future efforts Schindler's List
and Saving Private Ryan
. --N.F. Mendoza
A British boy living in Shanghai becomes separated from his parents when Japan invades China at the outset of World War II. The film, based on J.G. Ballard's autobiographical novel, traces his progress through prison camp life and his steely determination to survive. The score is by John Williams.