Review
You would expect a figure as glamorous as Emma McCune to die a heroic, martyred death. But in fact the white, illegal second wife of a Sudanese warlord - one who smuggled herself illegally aboard UN planes and recklessly tripped about the Horn of Africa trying to manipulate the Western press and abusing relief sent for the starving Sudanese - met a sad, banal end in a car accident. In this impressive book, Deborah Scroggins manages to weave the frustrating tale of Emma's life and death and the complicated history of Sudanese politics into a thoughtful, engrossing read. Emma McCune's life was one of unending melodrama. She was born in India, moved to England at two, and was affluently raised in Yorkshire by parents whose lifestyle exceeded their means. They lived in a draughty mansion until her father committed suicide when Emma was 11; the surviving family then moved into a council flat. This did not stop Emma from pursuing the life of privilege her parents felt was owed to them: she went to Oxford and took a year to fly around the world in a single-engine plane with a friend. It was at Oxford that adventure called to Emma: she fell in love with Africa, specifically Sudan, and tried desperately to obtain a position in the bush. Abandoning a master's degree for a position with Street Kids International, she set off to create schools in southern Sudan. There she met and married Riek Machar, a separatist warlord whose actions and orders murdered thousands, if not millions, of innocent Sudanese. Scroggins tries to be as fair as possible when presenting all viewpoints regarding Emma's marriage. In Riek, Emma managed to marry the African man she found so seductive, and in Emma, Riek enjoyed the status of a white wife with ties to various relief efforts operating in Sudan. Emma claimed to be Sudanese at heart and embraced the desperate way of life, enduring numerous diseases, massacres and death threats as she threw herself into her husband's political movement. Her life was notorious: she lived like an African queen in surroundings that are incomprehensible to Westerners, and both she and the people who loved her expected great things from her unborn child. This is an insightful, sensitive and powerfully written biography of a woman whose motivations may have seemed dubious, but whose sincerity and devotion were beyond question. (Kirkus UK)
Compelling portrait of an independent-minded British aid worker who married a Sudanese warlord. Atlanta-based journalist Scroggins, who has reported from the Sudan, uses the story of Emma McCune, a young woman with fashion-model looks who found something in African culture missing from her own life, as a through-line to follow the neglected history of Africa in the 1980s and '90s, ravaged by famine and genocidal tribal warfare. Daughter of a colonial tea plantation executive who killed himself after repatriation from India to England, McCune became involved with African student political groups as a college student in the UK in the mid-1980s. Once in the Sudan, she proved a diligent and charismatic figure, eschewing white privileges, behaving at times more Sudanese than Western, and developing an almost cult-like following, particularly among women and children. McCune became even more of a curiosity when she married the leader of an armed Sudanese faction, Riek Machar. This marriage alienated some of her former colleagues, and much of the organizational support she had relied on diminished when she appeared to be assuming some of her husband's political views. Bouts with malaria and dysentery took their toll on her health, and she came to desperately lack funds, but she remained capable, according to one friend, of looking smashing in a cocktail dress while dining out with other whites in Nairobi (although someone else inevitably had to pay her bill). By the time of her 1993 death in a Nairobi traffic accident at age 29, she was pregnant, optimistic, and pressing ahead with new plans to assist Sudanese women. Her story had by then attracted the interest of several reporters and film documentarians, who found her singularly intriguing, but also a tad bizarre. Solid background, cinematic descriptions, and the author's own intimate knowledge of the Sudan and the international aid community in Africa, enhance this profile of a woman who gave herself fully to her ideals, and to her fate. (Kirkus Reviews)
--This text refers to an out of print or unavailable edition of this title.
The Economist
EMMA'S WAR is about the politics of the belly, and what happens when the fat white paunch meets the swollen stomachs of the hungry of Africa.
--This text refers to an out of print or unavailable edition of this title.
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