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Emma Thompson scores a double bull's-eye with this marvellous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as Elinor Dashwood--the one with "sense"--she also wrote the witty screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister, Marianne (the one with "sensibility"). Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous films. Thompson's script won an Oscar.--Robert Horton, Amazon.com
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Toni Colette, though a very good actress, was really miscast as Harriet Smith and not just physically. She is a modern actress and couldn't fit into this period drama. The same is true for Ewan McGregor: a great actor, but not one for period drama, or at least not for regency drama, I fear.
The film is not strictly faithful to the plot, which in itself wouldn't be a problem, but it weakens the performance even further altogether. Still, if you do not have too high expectations, you may enjoy this film without further ado.
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