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Amazon.co.uk Review
The story of the rediscovery of Embers is as fascinating as the novel itself. A celebrated Hungarian novelist of the 1930s, Márai survived the war but was persecuted by the Communists after they came to power. His books were suppressed, even destroyed, and he was forced to flee his country in 1948. He died in San Diego in 1989, one year before the neglected Embers was finally reprinted in his native land. This reprint was discovered by the Italian writer and publisher Roberto Calasso, and the subsequent editions have become international bestsellers. All of his novels are now slated for American publication. --Regina Marler --This text refers to an out of print or unavailable edition of this title.
Review
In the morning, the old general spent a considerable time in the wine cellars with his winegrower inspecting two casks of wine that had begun to ferment. Read the first page Browse Sample Pages
Front Cover | Copyright | Excerpt | Back Cover
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Customer Reviews
The simple narrative framework allows Henrik to tell the story through his own meditations and his one-sided conversation with Konrad after his arrival. Touching first on the lives and marriages of Henrik's parents, his wife's parents, and then Konrad's parents, Henrik slides obliquely and seductively into the story of his friendship with Konrad, his courtship of Krisztina, and the first four years of his own marriage. As tiny details emerge and build upon one another, the dramatic irony grows. Henrik's vision of himself, his motivations, and his actions appear in sharp relief against the conclusions being drawn by the reader. Henrik is, above all, an aristocrat, imprisoned by a value system he also embraces.
As the parallel dilemmas he imposes on his wife and Konrad emerge ironically from Henrik's narrative, the reader is simultaneously fascinated and frustrated by Henrik's view of his own dilemma and his desire for Truth. A heart-stopping climax and Konrad's dramatic reply to his interrogation, along with numerous breath-taking descriptions of nature, leave the reader awed by Marai's talent and grateful that this very clever and sensitive study of character and values has been reclaimed for posterity. Mary Whipple
On reflection, the immensely enthusiastic reviews state 'a conversation' between two ageing friends that had not seen each other for forty-one years. There was little conversation between the two men. The narrative was almost entirely Henrik's. Whilst this is a very clever achievement, I kept wanting Konrad to at least say something to give his character more dimension.
To conclude, although I have my criticisms, there are few (perhaps no) writers of today that can write such prose of such quality
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