- Audio CD (25 Oct 1990)
- Number of Discs: 1
- Label: Warner
- ASIN: B000002LEP
- Other Editions: Audio Cassette | Vinyl | MP3 Download
- Amazon Bestsellers Rank: 641,496 in Music (See Top 100 in Music)
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It was recorded at his old house, in the laundry room, and Mark's wife Suzanne had to take everything to the laudromat for about four months while he was trying to get the album done because he needed to move the washer and dryer out to have enough room to record. Another problem he had with this album was he lived near the Nashville airport, and planes kept flying over and interfering with the recording process, so he had to do everything at night. Fidula Caprice in A Major was finished just as the sun was coming up early in the morning. As you listen to the song you can picture this.
Although it was recorded at a home studio, it sounds great, and the usual suspects make guest appearances: Edgar Meyer (bass), David Schnaufer (mountain dulcimer), Eddie Bayer (drums), Mike Lawler (synth), Jerry Douglas (dobro on Sally Goodwin), and Russ Barenberg (mando on Sally G).
This underrated album is really one of his best. There is no singing, and only one strange song: Two creations, which is where Mark paired synthesizer and strings under a beat created by his unborn son Forrest's in-utero heartbeat paired with carpenters hammering together their new house. It's only a minute long, so it doesn't disturb the album's flow. Miss Sally Goodwin is a bit of a non-sequiter because it's a hoedown recorded live in Lisbon, Portugal. The rest of the album is very different from that bluegrass song. Elysian Forest, a reference to a blissful, happy place, from Greek mythology's Elysian Fields, the peaceful place the dead went to take their rest. If this is how the music sounds there, I can't wait to go.
Another noteworthy piece is the live recording of Miss Sally Goodwin, a ten minute performance which begins and ends with the hoedown Sally Goodin but displays various musical styles improvized throughout, including the Milk Cow Blues, Hot Canary, a little dabbling in Indian violin, classical riffs, and a few minutes of brilliant playing that defy description.
These two tunes are worth the price of the CD in my opinion, but the other pieces further display O'Connor's musical genius as he plays guitar, mandolin, bass, and keyboard. Highly recommended.
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