This album sends shivers up and down my spine. Here's why: The King was simply at his absolute very best vocally. His delivery is breathtaking and the voice is unbelievable - right from the first note to the last chord of the last track. Ten gold-plated songs filled with awesome power and soaked with pure emotion. He sounds Rock; Country; Rhythm; Blues; Ballad; and Gospel - all in one album!!!
Elvis kicks off with T-R-O-U-B-L-E and you can tell immediately that he means business. This is his heaviest and fastest rock track of the 70's. He just attacks it head on. We will never hear a cover version of this track by any other artist, simply because no one else can deliver this track with the same aggression. And the 'hiccup' sounds at the end are mesmerising.
AND I LOVE YOU SO comes next and Elvis does true justice to this classic. Just listen to that voice. Suddenly you are a ballads fan! SUSAN WHEN SHE TRIED would have sounded too country but Elvis turns it into a brilliant country-rock piece. It ranks as one of my favourites here. WOMAN WITHOUT LOVE takes you into another world as backing vocals come in very prominently and beautifully here.
The rest of the album is truly superb with notable outstanding tracks such as, well, all of them. Just listen to the phenomenal power of SHAKE A HAND and decide for yourself if this is a blues, rock or gospel - or the emotion-filled PIECES OF MY LIFE. The beautiful FAIRYTALE shows us how country music should sound - Presley style!
Next the Billy Swan number I CAN HELP and you can sense how much Elvis is into it just by that powerhouse ending. BRINGIN' IT BACK is so good that words alone cannot even come close to a description - those few minutes are worth the album alone. The Tom Jones hit of the sixties GREEN GREEN GRASS OF HOME is the last magic spell on this CD. But this is a very different version with Elvis and backing vocals merging beautifully to really blow you away.
ELVIS TODAY was released in mid 1975 - when Elvis had turned 40 and the world was watching his waistline rather than his work. Glam rock was at its peak and Presley was now more of a concert performer than a recording artist, having not recorded anything in a studio since late '73. The puzzling crime however was that although Elvis was performing sellout concerts to screaming fans all over America, this album should have gone to number one but didn't.
I hope you enjoy Elvis Today as much I do. Just turn it up loud!
Today