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| 1. Sonata for Violin and Piano in E minor, Op. 82 - Elgar |
| 2. Elegy for Violin and Piano - Finzi |
| 3. Sonata for Violin and Piano - Walton |
Performance *****
Sound ****
© BBC Music Magazine 2001
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Most Helpful Customer Reviews
5.0 out of 5 stars
Why not wander down the byeways,
This review is from: Elgar & Walton - Violin Sonatas (Audio CD)
This recording contains music unlikely to be encountered by those listeners content to stick to the well known output of three of our most illustrious English composers. Stay off of the High Street for a while and wander into the back alleys and you will hear a different side to all three. Daniel Hope surely does justice to the music he clearly loves and understands. Top notch recording. Just a shame about the cover.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
5.0 out of 5 stars (1 customer review) 6 of 6 people found the following review helpful:
5.0 out of 5 stars
Three Rarely Heard Works for Violin and Piano,
By Grady Harp - Published on Amazon.com
This review is from: Elgar & Walton - Violin Sonatas (Audio CD)
Violinist Daniel Hope and Pianist Simon Mulligan are a formidable team. Their approach to any repertoire is full-blooded and passionate, even in these rarely heard works. Theirs is a chemistry that comes across on recordings extremely well.
Elgar's Sonata for violin & piano in E minor, Op. 82 further demonstrates that this composer is unduly neglected except for a few works. The sonata is brilliantly written and is demanding in its outer movements, yet in the inner movement, Romance, it is as ethereal as anything Elgar ever wrote. Gerald Finzi's brief but exquisite Elegy for violin & piano in F major is a work that should find its way into recitals more often. Nothing spectacular as far as execution demands, but just simply beautiful melodic arches, here caressed by Hope's warm golden tone and echoed by Mulligan's attentive nuances. The recital concludes with another rarity, William Walton's Sonata for Violin and Piano, a work of fine construction and invention that, like the Elgar, once again proves that the music of Walton is too often shelved instead of performed. Hope and Mulligan shine in this testing work, meeting the aggressive attacks securely and seeking the plaintive moments with equal care. It is a sonata worth of many repeated hearings. Highly recommended. Grady Harp, February 06 |
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