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Album Savings: £12.99 compared to buying all songs
- Original Release Date: 28 Nov 2005
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Song Title | Artist | Time | Price | |||
|---|---|---|---|---|---|---|
| Play | 1. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): Theme (Andante) | London Symphony Orchestra/Sir Adrian Boult | 1:22 | £0.89 | ||
| Play | 2. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): I. C.A.E. (the composer's wife) (L'istesso tempo) | London Symphony Orchestra/Sir Adrian Boult | 1:52 | £0.89 | ||
| Play | 3. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): II. H.D.S.-P. ( Hew David Steuart-Powell) (Allegro) | London Symphony Orchestra/Sir Adrian Boult | 0:46 | £0.69 | ||
| Play | 4. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): III. R.B.T. (Richard Baxter Townshend) (Allegretto) | London Symphony Orchestra/Sir Adrian Boult | 1:27 | £0.69 | ||
| Play | 5. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): IV. W.M.B. (William Meath Baker) (Allegro di molto) | London Symphony Orchestra/Sir Adrian Boult | 0:28 | £0.69 | ||
| Play | 6. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): V. R.P.A. (Richard Penrose Arnold) (Presto) | London Symphony Orchestra/Sir Adrian Boult | 1:54 | £0.69 | ||
| Play | 7. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): VI. Ysobel (Isabel Fitton) (Andantino) | London Symphony Orchestra/Sir Adrian Boult | 1:11 | £0.69 | ||
| Play | 8. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): VII. Troyte (Troyte Griffith) (Presto) | London Symphony Orchestra/Sir Adrian Boult | 0:56 | £0.69 | ||
| Play | 9. Variations On An Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): VIII. W.N. (Winifred Norbury) (Allegretto) | London Symphony Orchestra/Sir Adrian Boult | 1:43 | £0.89 | ||
| Play | 10. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): IX. Nimrod (A. J. Jaeger) (Moderato) | London Symphony Orchestra/Sir Adrian Boult | 3:53 | £0.89 | ||
| Play | 11. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): X. Intermezzo: Dorabella (Dora Penny) (Allegretto) | London Symphony Orchestra/Sir Adrian Boult | 2:52 | £0.69 | ||
| Play | 12. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): XI. G.R.S. (George Robertson Sinclair) (Allegro di molto) | London Symphony Orchestra/Sir Adrian Boult | 0:58 | £0.69 | ||
| Play | 13. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): XII. B.G.N. (Basil G. Nevinson) (Andante) | London Symphony Orchestra/Sir Adrian Boult | 2:20 | £0.69 | ||
| Play | 14. Variations On An Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): XIII. Romanza: * * * [Lady Mary Lygon] (Moderato) | London Symphony Orchestra/Sir Adrian Boult | 2:33 | £0.69 | ||
| Play | 15. Variations on an Original Theme 'Enigma' Op. 36 (2002 Digital Remaster): XIV. Finale: E.D.U. (the composer) (Allegro) | London Symphony Orchestra/Sir Adrian Boult | 5:46 | £0.69 | ||
| Play | 16. The Planets, Op. 32 (2002 Digital Remaster): Mars, the Bringer of War (Allegro) | London Philharmonic Orchestra/Sir Adrian Boult | 8:02 | £0.89 | ||
| Play | 17. The Planets, Op. 32 (2002 Digital Remaster): Venus, the Bringer of Peace (Adagio) | London Philharmonic Orchestra/Sir Adrian Boult | 7:26 | £0.89 | ||
| Play | 18. The Planets, Op. 32 (2002 Digital Remaster): Mercury, the Winged Messenger (Vivace) | London Philharmonic Orchestra/Sir Adrian Boult | 3:48 | £0.89 | ||
| Play | 19. The Planets, Op. 32 (2002 Digital Remaster): Jupiter, the Bringer of Jollity (Allegro giouoso) | London Philharmonic Orchestra/Sir Adrian Boult | 7:59 | £0.89 | ||
| Play | 20. The Planets, Op. 32 (2002 Digital Remaster): Saturn, the Bringer of Old Age (Adagio) | London Philharmonic Orchestra/Sir Adrian Boult | 8:22 | £0.89 | ||
| Play | 21. The Planets, Op. 32 (2002 Digital Remaster): Uranus, the Magician (Allegro) | London Philharmonic Orchestra/Sir Adrian Boult | 6:26 | £0.89 | ||
| Play | 22. The Planets, Op. 32 (2002 Digital Remaster): Neptune, the Mystic (Andante) | London Philharmonic Orchestra/Sir Adrian Boult/Geoffrey Mitchell Choir | 6:22 | £0.89 |
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Customer Reviews
Most Helpful Customer Reviews
111 of 113 people found the following review helpful
Format:Audio CD
Boult was the first to conduct Holst's planet suite at the tender age of 29. After hearing this, much later, reading of the suite (recorded in 1978) it's easy to see why Holst had such faith in the young conductor’s ability to realise his score.
The LPO are on fine form here, and Boult’s orchestral discipline is second to none.
The whole recording has been remastered at Abbey Road studios. While sceptical of remasters being overly processed, this is definitely not the case here. The sound quality is superb, displaying depth, resonance, detail and warmth. The instruments are beautifully imaged and, in particular, the dissonance of the trumpet is reproduced perfectly.
While some feel that the tempi of this reading is too plodding (Mars is particularly slow) or too heavy (for a lighter interpretation, Dutoit and the Montreal Symphony Orchestra are a good bet), I feel both are perfect and really emphasise the drama of the pieces.
In particular, the minimal use of thematic content (sometimes just one or two notes/chords) during Jupiter benefits from Boult’s pace, helping to create the sense of the ethereal that no composer but Holst seems to have mastered.
As a bonus, the CD also features an excellent reading of Elgars’s Enigma Variations. Together with the Hoslt recording, these performances display the deep understanding he had of the music and the "Englishness" of his friend’s works.
If you don’t already own the Planet Suite, I would highly recommend this excellent CD and will guarantee your enjoyment of it.
26 of 26 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
This version of The Planets has replaced my recent LSO version.
Why? Well, the balance between the contributing elements is the best i've heard so far: The bass is thunderous analogue and the high woodwind/strings are like crystal in equal measure. This is a superb achievement and exceptionally important for, 'large orchestra' where Dynamics become a recording engineer's delight or problem depending on how good they are. And these people are the best: Abbey road have done a fantastic job on the remastering of a late 70's classic, although there is one thing they could never tackle: Is this as Holst intended?
Bolt was a friend of Holst and was given the opportunity to first conduct the piece; Bolt read and heard the original 'two piano' score and must have got the full S.P. from Holst? If this is so, then what we have here is close to the real deal?
OK, Bolt had five cracks at this recording before producing this last version, so we may have the advantage of decades of Bolt's polishing and highlighting the manifold textures one may hear in this genius of a masterpiece. It certainly sounds like it.
I was surprised to hear a faster 'Venus' than i think i have ever heard before, and 'Jupiter' is a bit nippy also. But i was also surprised at how quickly i accomodated these unexpected nuances and began to listen to the clarity of what was going on instead. I don't think i have ever before been able to hold so many themes and harmonies in one passing than i have experienced with this recording of The Planets because so much usualy becomes burried in the total wash. Not so here: the richness and variety of the score is available at all sonic levels.
Majestic stuff.
Why? Well, the balance between the contributing elements is the best i've heard so far: The bass is thunderous analogue and the high woodwind/strings are like crystal in equal measure. This is a superb achievement and exceptionally important for, 'large orchestra' where Dynamics become a recording engineer's delight or problem depending on how good they are. And these people are the best: Abbey road have done a fantastic job on the remastering of a late 70's classic, although there is one thing they could never tackle: Is this as Holst intended?
Bolt was a friend of Holst and was given the opportunity to first conduct the piece; Bolt read and heard the original 'two piano' score and must have got the full S.P. from Holst? If this is so, then what we have here is close to the real deal?
OK, Bolt had five cracks at this recording before producing this last version, so we may have the advantage of decades of Bolt's polishing and highlighting the manifold textures one may hear in this genius of a masterpiece. It certainly sounds like it.
I was surprised to hear a faster 'Venus' than i think i have ever heard before, and 'Jupiter' is a bit nippy also. But i was also surprised at how quickly i accomodated these unexpected nuances and began to listen to the clarity of what was going on instead. I don't think i have ever before been able to hold so many themes and harmonies in one passing than i have experienced with this recording of The Planets because so much usualy becomes burried in the total wash. Not so here: the richness and variety of the score is available at all sonic levels.
Majestic stuff.
45 of 46 people found the following review helpful
Format:Audio CD
I don't think there is a better CD of English classics than this one. Rob Cowan chose Boult's 'Enigma' as the best available version the last time the work was reviewed on Radio 3's CD Review. It is a performance that manages to balance all the different moods and characters of the musical pictures of Elgar's 'friends pictured within' quite beautifully, and the sound is excellent 1970s analogue. Boult was the first man to conduct 'The Planets' and recorded it five times, and this is probably the best performance and certainly the best recording.
From start to finish it is a joy. I find it amazing that a man who was - what? - well on in his 80s when he made this could produce an interpretation of such energy and poetry, but so it is. An unmissable CD.
From start to finish it is a joy. I find it amazing that a man who was - what? - well on in his 80s when he made this could produce an interpretation of such energy and poetry, but so it is. An unmissable CD.
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Most Recent Customer Reviews
Great
A great collection, sit back and enjoy the journey. A real bonus that it can be down loaded so quickly and easily.
Published 3 months ago by TC
Very good value cd
Bought this CD for my husband who is very fussy about the quality of the music he listens to. He rates this particular recording as extremely high quality and was amazed at the... Read more
Published 3 months ago by susieque
Good in part
Goods arrived quickly, in good cond. and cheap. The first half, the Enigma, was good, the second half, The Planets rather less so. Read more
Published 4 months ago by I. Baxter
Super
Super recording and quality. Have been playing it to under 5s to ask them what the music makes them feel like and had some extremely intuitive responses!
Published 4 months ago by Nutty Netty
Boult Makes This Music Come Alive
I first heard Edward Elgar's Enigma Variations during the 1980s. Unfortunately, that particularly version was woeful, slapdash and poorly produced. Read more
Published 5 months ago by E. A. Redfearn
Wonderful interpretation...
I really wanted a re-mastered version of the Stokowski version released many years ago on the venerable 'Music for Pleasure' label. Read more
Published 7 months ago by Mr. M. D. Keen
superior system
I had this when it first was issued on vinyl all those years ago and needed to up date to cd.I tried a couple of other versions but keep coming back to this which ,for me (who... Read more
Published 10 months ago by R. Poole
Very nice recording.
This is an excellent recording. My only grump is that I think Holst's work should come before Elgar's on the playlist.
Published on 12 May 2010 by A. Duffy
Deacon Mike
The London Philharmonic excel themselves in this production. When you have this, make time to listen to it all the way through and enjoy the experience.
Published on 3 April 2010 by Mr. Michael D. Walker
Digital remaster? - No thanks!
I ordered this CD recently but before delivery I had reason to go through my father's extensive CD collection. In there I found the identical compilation CD from 1993. Read more
Published on 29 Mar 2010 by Peter H
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