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Electric Light Hardcover – 1 May 2001


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Product details

  • Hardcover: 81 pages
  • Publisher: Faber & Faber; First Edition/First Printing edition (1 May 2001)
  • Language: English
  • ISBN-10: 0571207626
  • ISBN-13: 978-0571207626
  • Product Dimensions: 15.3 x 1.5 x 22.4 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 821,197 in Books (See Top 100 in Books)

More About the Author

Seamus Heaney was born in County Derry in Northern Ireland in 1939. Death of a Naturalist, his first collection of poems, appeared in 1966 and since then he has published poetry, criticism and translations - including Beowulf (1999) - which established him as one of the leading poets of his generation. In 1995 he was awarded the Nobel Prize in Literature. District and Circle (2006), his eleventh collection, was awarded the T. S. Eliot Prize. Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, appeared in 2008. In 2009 he received the David Cohen Prize for Literature. His twelfth collection of poetry, Human Chain, was published in 2010.

Seamus Heaney died in Dublin on August 30th, 2013

Product Description

Amazon Review

Seamus Heaney's 11th collection of poems, Electric Light continues his excavation of childhood, his vivifying love of nature and his quest into the meaning of poetry itself in an utterly pleasurable and satisfying way. As the poet squares up to his own mortality, many of the poems are dedicated to the memory of lost friends and poets, such as Joseph Brodsky, and yet the urgency and optimism of new birth is a lively and forceful presence in the book too. "Bann Valley Eclogue" prophesises a time when "old markings/ Will avail no more to keep east bank from west./ The valley will be washed like the new baby." In "Out of the Bag", the child narrator believes that the doctor brings the newborn from his lined bag. The doctor, "like a hypnotist unwinding us" is cloaked in luxury in his camel coat with its spaniel-coloured, fur-lined collar and like a god, he makes baby's bits appear "strung neatly from a line up near the ceiling--A toe, a foot and shin, an arm, a cock/ A bit like the rosebud in his buttonhole". Childhood is an unfading, unfailing source in Heaney's work and is caught with a breathless vitality, that is both "earthed and heady". "The Real Names" revisits the schoolboys who played Shakespeare: Owen Kelly as "Sperrins Caliban" with "turnip fists" and "some junior-final day-boy" as Miranda. "Catatonic Bobby X" plays Feste, "With his curled-in shoulders and cabbage-water eyes/speechlessly rocking... Me in attendance, watching sorrow's elf/ Bow his head and hunch and stay beyond us..." This poem has the humour, exactness, scope and tenderness of Heaney at his best. His language is as muscular and inventive as ever. He subverts the verb "waver" into a noun in "Perch" and idiom meets innovation in words such as "rut-shuddery", "flood-slubs" and "adoze". His address achieves great inclusiveness, extending the local to the universal, invoking the people who first named his world, and granting them meaning and place in the wider one. He seeks to be surefooted, to reach a clarity of understanding, asking in the wonderfully satiric "Known World", "How does the real get into the made-up?" Once more, Heaney demonstrates with humility, grace and lightness how poetry can "hold/ In the everything flows and steady go of the world."--Cherry Smyth

Review

Accepting the Latin of his education, Heaney casts off provincialism and becomes magnificantly authoritative. -- Daily Telegraph, March 2001

Electric Light is as fine as anything Heaney has done to date. -- Independent, March 2001

Heaney’s most assured and focused collection to date... -- Sunday Herald, March 2001

Seamus Heaney goes on making it new, and Electric Light is as good as anything he’s done. -- Financial Times, March 2001

There have been those who have seen Heaney as a merely enjoyable, rather than interesting poet; with his 11th collection he turns the tables on those critics. -- The Times, March 2001

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By jan van der heide on 23 July 2014
Format: Hardcover Verified Purchase
No day without lines from Heaney.
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By Tom Moloney on 11 Aug 2014
Format: Hardcover Verified Purchase
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