Electric Eden documents one of the great untold stories of British music over the past century. While ostensibly purporting to be a history of that much derided (though currently fashionable) four-letter word, 'folk', Electric Eden will be a magnificent survey of the visionary, topographic and esoteric impulses that have driven the margins of British visionary folk music from Vaughan Williams and Holst to The Incredible String Band, Nick Drake, John Martyn and Aphex Twin. For the first time the full story of the extraordinary period of folk rock from the mid 1960s to the mid 1970s will be told in a book with the breadth of a social history touching on sonic worship, pagan architecture, land art, ley lines and ther outer fringes of the avant garde. Electric Eden identifies a particularly English wellspring of imagery and imagination, an undercurrent that has fed into the creative and organic strand of Britain's music over the past century. From Edwardian composers assimilations of folk song and visionary poetry, via folk rock of the 60s and 70s, the story is brought up to date by placing these earlier movements in a continuum that links through significant figures in 21st century pastoral electronica.
Rob Young was born in Bristol in 1968. He has worked as a music writer and editor since 1993, when he joined the staff of The Wire magazine. He was Editor of the title between 2000-04 and continues to be a Contributing Editor and co-owner. He edited the collections of Wire articles, 'Undercurrents: The Hidden Wiring of Modern Music' (Continuum 2002), 'The Wire Primers: A Guide to Modern Music' (Verso 2009), and a selection of newly commissioned pieces on a legendary musical genius, 'No Regrets: Writings On Scott Walker' (Orion 2012).
He also wrote the first two in Black Dog Publishing's Labels Unlimited series of illustrated record company biographies: 'Warp' (2005) and 'Rough Trade' (2006). In 2010 he published his 650-page history of folk music and the British imagination, from the late 19th century to the present, 'Electric Eden: Unearthing Britain's Visionary Music' (Faber and Faber).
He has contributed to many publications including Uncut, Sight & Sound, The Word, The Guardian, Frieze and Art Review, as well as art catalogues on Jeremy Deller, Carsten Nicolai and Seb Patane.