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Review Frischmann was more than just Damon Albarn's muse for the all-powerful Blur - her contribution can be seen in young female artists like Lily Allen and Amy Winehouse - brazen and brassy - Justine added a hint of androgyny into the mix and became the tomboy next-door that the NME craved.
Elastica is as memorable a record as the pretenders to Frishmann's throne at the time - Sleeper with Louise Wener and Republica's Saffron - were forgettable. The openly suggestive lyrics of groupie-bating ''Line Up'' and dangerous sex in ''Car Song'' are as crude as nudge-nudge-wink-wink tunes get, but they are no less fun for it - ''Vaseline'' almost pips ''I Touch Myself'' by Divinyls to the 'is she really singing about you-know-what?' award.
In ''Connection'', Elastica produced their blueprint for what Britpop should sound like - it was punchy, pithy and built on a massive rip-off of a Wire riff that they didn't care about - well, if it's good enough for Oasis!
Frischmann's monotone voice never becomes dull during the 40-minute blast and when they finish with the uncomfortably effective poke at impotence in ''Stutter'', so does their contribution to Britpop. She booted the door in, pouted and bitched until the drugs shut her up - for good. --Anthony Leaver
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From the opening track, Line Up to the brilliant final song Stutter, this album simply roars past you at real speed. 15 Songs in 38 minutes, and they manaqe to go from all out pop rock like Waking Uo and Blue, to beautifully written atmospheric tracks like Never Here and Hold Me Now.
Its sad that Justine is still seen as "Blur Indoors" by many, but this debut album is simply too good to ignore. The lyrics range from flirtatious humour like in Car Song, to the lonliness of Never Here. The songs are catchy pop/rock tracks, but unlike most Britpop it doesn't sound like yesterdays news.
Its a shame Elastica never really followed this album up, but there is enough to enjoy on this debut album to allow us to forgive them for that. Nine years on and this is still a real favourite of mine, and if you can ignore all the media snipings at Justine for having a famous boyfriend at the time the album was released then you will be listening to a seriously underrated and quite brilliant album.
Punky-fast and fun(vaseline, blue) but still raw and beautiful (smile/hold me now)my fave song on this album is stutter, as i never listened to it as it was the last sonmg on the slbum until i was 15, i was soooo angry that i had missed years of loving the best song on the album.
It sounds like nothing and everything, blondie and wire are obvious comparisons, but the humour is fantastic (car song/waking up) and heartbreak is traumatic (never here/2:1).
The only thing i regret is that there is no more elastica.
But this album and remember that britpop was a media created farce, the decent bands shone!
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