The Egoist
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Product Description
Product Description
Virginia Woolf said of The Egoist: 'Meredith pays us a supreme compliment to which as novel-readers we are little accustomed ... He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.
About the Author
George Meredith 1828–1909, English novelist and poet. One of the great English novelists, Meredith wrote complex, often comic yet highly cerebral works that contain striking psychological character studies.
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The Egoist is George Meredith's most self-consistent and characteristic novel. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
The Egoist is George Meredith's most self-consistent and characteristic novel. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews
Most Helpful Customer Reviews
3 of 3 people found the following review helpful
Format:Paperback
If you can get through the introduction, which is somewhat long-winded and abstract, The Egoist is a highly enjoyable read. The characters are well-portrayed and as relevant and realistic today as they were at the time.
Any fans of Jane Austen or the Bronte sisters are sure to love this book.
Any fans of Jane Austen or the Bronte sisters are sure to love this book.
7 of 21 people found the following review helpful
Format:Paperback
While reading, you cannot avoid the feeling that the hero has to be traped on by the women he pursues. He IS an egoist, one of that rare species, totally devoted to himself, outrageously devoted to himself. Female readers may even suffer while reading and be hurt. One may even wonder why the suffering is that long because Meredith made it quite long! But it's sadistically delightful. May the force be with you to reach the end!
Most Helpful Customer Reviews on Amazon.com (beta)
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5 reviews
20 of 20 people found the following review helpful
Witty and funny, this novel is quite memorable.
5 Jan 1998
Format:Paperback
This novel was written, and takes place in, 19th Century England. 'The Egoist' is Sir Patterne, a well to do gent in search of a wife. After being jilted once, he pursues Miss Clara Middleton. The majority of the novel takes a look at their engagement, and her doubts about it. There is a wealth of clever dialog to be found in this novel, much of which stays with the reader (or at least this one) well after the last page is turned. Most of the comedy comes from Meredith's exposing of the Egoist (of which there is more than one in this novel).
Miss Middleton actually has the attention of a few men, and this adds to both the drama and comedy of the novel. A sample of the witty dialog should be provided so you may decide whether to get this book. A friend of Clara's gets wind of her doubts. He can't come right out and let her know, but he hints at it. He starts off by informing her that he 'has written half an essay on honeymoons'. She responds by asking 'whether that is the same as a half written essay'. He tells her 'that it is, except that my essay is completely told, but just from one side.' 'And which side is that' she asks. 'The grooms' he replies.
So I would suggest that you give this novel a try, especially if you like 19th century writers.
19 of 19 people found the following review helpful
One of the funniest novels ever written
9 April 1999
Format:Paperback
Meredith's masterpiece has been unjustly neglected in recent years, although it is one of the funniest novels in the English canon. If you like the comedies of Trollope and Austen, Meredith is a real treat (although his style is much more mannered, and his approach more difficult to appreciate, than either Trollope's or Austen's). The genius of THE EGOIST is not only in exposing Sir Willoughby's faults, and Clara's mounting panic as she can't maneuver her way out of her engagement, but in its serious appraisal of the difficulties faced by Victorian women in their limited possibilities after childhood. Meredith was an enormous influence on the later modernists, such as Woolf, Joyce, and particularly Forster, but although they more often mention THE ORDEAL OF RICHARD FEVERAL as Meredith's keystone text THE EGOIST is the one to enjoy.
9 of 9 people found the following review helpful
"Reality is the offender; delusion our treasure that we are robbed of."
23 Jan 2007
Format:Paperback
In "Decay of Lying", Oscar Wilde's essay in dialogue form, he discusses George Meredith:
"if the man's fine spirit did not revolt against the noisy assertions of realism, his style would be quite sufficient of itself to keep life at a respectful distance"
It is a wonderful summary of Meredith, particularly in the case of The Egoist. The novel combines some really interesting and impressive realism of character with a style that is almost opaque-- a style that requires some adjustment for the modern reader. It certainly took me a quite a few pages to get used to the diction of Meredith as an author. In particular, the seemingly endless and theatrical dialogue sections were often difficult.
This said, once I stopped fighting the style and really let myself read the book, I was very glad that I did. The plot is perhaps a little bit thin for the number of pages (602 pages of small print!) but that only gives Meredith room to develop the characters. He does that through his use of dialogue; he teaches us with our ear what these characters are like and who they really are.
Willoughby (the Egoist) is a character who should be familiar to virtually every woman alive. He wraps himself in a pretense of romance in a way that only serves to disguise his need for control. The two women, Clara and Laetitia, are both bound by the possibilities of their time and both learn to be realists rather than romantics when faced with the Egoist. The interplay between the three is delighful, and often genuinely very funny. When I first started the book, I would not have believed that I would ever laugh out loud reading it, but there were several moments where I did just that.
In short, a really good read. Meredith deserves his reputation-- both for his skill and for the effort needed to enjoy the work. Pair this book with The Way We Live Now by Trollope, and you have a nice look at the choices of the Victorian woman as seen by the male writers of the day.
"if the man's fine spirit did not revolt against the noisy assertions of realism, his style would be quite sufficient of itself to keep life at a respectful distance"
It is a wonderful summary of Meredith, particularly in the case of The Egoist. The novel combines some really interesting and impressive realism of character with a style that is almost opaque-- a style that requires some adjustment for the modern reader. It certainly took me a quite a few pages to get used to the diction of Meredith as an author. In particular, the seemingly endless and theatrical dialogue sections were often difficult.
This said, once I stopped fighting the style and really let myself read the book, I was very glad that I did. The plot is perhaps a little bit thin for the number of pages (602 pages of small print!) but that only gives Meredith room to develop the characters. He does that through his use of dialogue; he teaches us with our ear what these characters are like and who they really are.
Willoughby (the Egoist) is a character who should be familiar to virtually every woman alive. He wraps himself in a pretense of romance in a way that only serves to disguise his need for control. The two women, Clara and Laetitia, are both bound by the possibilities of their time and both learn to be realists rather than romantics when faced with the Egoist. The interplay between the three is delighful, and often genuinely very funny. When I first started the book, I would not have believed that I would ever laugh out loud reading it, but there were several moments where I did just that.
In short, a really good read. Meredith deserves his reputation-- both for his skill and for the effort needed to enjoy the work. Pair this book with The Way We Live Now by Trollope, and you have a nice look at the choices of the Victorian woman as seen by the male writers of the day.
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