Edward Thomas is regarded as one of the most important British poets of the twentieth century, and this detailed publication by Faber will provide readers with not only his complete poetic output, but also incisive critical and biographical depth.
Thomas represented the best of the Georgian Poets, an early-twentieth century group who wrote primarily about the pastoral landscape. Often criticised for being lightweight and lacking orignality, Thomas' work stood out from his contemporaries for its grave emotion, clarity of description and honesty.
As the world went to war, his concise poems about the British landscape underlined the value of what stood to be lost. Concerned with the countryside, his work can be seen as representing the deepening fracture between past and present, the shriking of rural life and the growth of modern cities. It depicts a particular turning point, socially and economically, in British history, as the economy became concerned with mass production. The tone is melancholy, but there is pride instead of hopelessness.
In terms of the presentation of Thomas' material, Faber deserve plenty of credit. This text will appeal to both casual readers, scholars and students alike. The introduction by Peter Sacks is a highlight: this offers a biographical sketch of the writer and also a refined and critical appreciation for his poetry.
In addition there are notes on each of the poems (that include the author's comments), Thomas' war diary and four appendices. By reading the book, you sense that those involved were genuinely concerned with handling the legacy of a great writer in the right way.