- Hardcover: 320 pages
- Publisher: William Heinemann Ltd; First Edition edition (May 1977)
- Language English
- ISBN-10: 0434335169
- ISBN-13: 978-0434335169
- Product Dimensions: 21.8 x 15.6 x 3.2 cm
- Average Customer Review: 4.0 out of 5 stars See all reviews (3 customer reviews)
- Amazon Bestsellers Rank: 2,497,453 in Books (See Top 100 in Books)
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Review
'As original, as funny, as cleverly written and as moving as any novel I have read since I started reviewing' Auberon Waugh, Evening Standard 'With Edith's Diary, Patricia Highsmith has produced a masterpiece' Times Literary Supplement 'Highsmith probes to the very core of her heroine with a controlled ferocity and single-mindedness that illumines every page of her novel' The Times 'A work of extraordinary force and feeling ... her strongest, her most imaginative and by far her most substantial novel' New Yorker
--This text refers to the
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Product Description
As Edith Howland's life becomes harsh, her diary entries only become brighter and brighter. She invents a happy life. As she knits for imaginary grandchildren, the real world recedes. Her descent into madness is subtle, appalling, and entirely believable.
--This text refers to an out of print or unavailable edition of this title.
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Edith had left her diary among the last things to pack, mainly because she didn't know where to put it. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
Edith had left her diary among the last things to pack, mainly because she didn't know where to put it. Read the first page
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3 of 3 people found the following review helpful
Format:Perfect Paperback
In 1956, Edith Howland is about to move with husband Brett and little son Cliffie, to a new and bigger house in Pennsylvania. She wraps up her diary carefully - the repository of her hopes and dreams for the future, it plays a key part in this edgy, uncomfortable but strangely compelling novel.
Things don't go smoothly for Edith. Her son is lazy and resentful and Brett seems to give up on him. Brett's Uncle George, who has unspecified back trouble, foists himself upon them, and Edith ends up having to look after him. Then Brett meets Carol, a new young journalist at the paper he works for.
When exactly does Edith's diary begin to stand in for the real life that is so unsatisfactory? It's hard to answer that, so gradually and reasonably does the subterfuge Edith creates in her own head begin to work. In the diary, for instance, Cliffie goes to college and gets a good job, marries his ideal woman and ends up with children. In reality, Cliffie is a fat, work-shy, drunk - and it's almost certainly his fault that Uncle George ends up dead of a medication overdose.
The ending is chilling as Edith finds it increasingly difficult to recognise the truth, much preferring her fantasies. This is an unsettling but fascinating read.
Things don't go smoothly for Edith. Her son is lazy and resentful and Brett seems to give up on him. Brett's Uncle George, who has unspecified back trouble, foists himself upon them, and Edith ends up having to look after him. Then Brett meets Carol, a new young journalist at the paper he works for.
When exactly does Edith's diary begin to stand in for the real life that is so unsatisfactory? It's hard to answer that, so gradually and reasonably does the subterfuge Edith creates in her own head begin to work. In the diary, for instance, Cliffie goes to college and gets a good job, marries his ideal woman and ends up with children. In reality, Cliffie is a fat, work-shy, drunk - and it's almost certainly his fault that Uncle George ends up dead of a medication overdose.
The ending is chilling as Edith finds it increasingly difficult to recognise the truth, much preferring her fantasies. This is an unsettling but fascinating read.
2 of 2 people found the following review helpful
Format:Perfect Paperback
This is the fist book I have read by this writer and it was not really what I expected (a thriller as in 'The Talented Mr Ripley'). Up until about halfway through the book I kept expecting something more exciting to happen, but actually this book is more about life as it really is for a lot of people - unexciting and often disappointing.
I found the book interesting and quite disturbing - especially towards the end when my heart really went out to poor Edith. It left me feeling very unsettled and sad but I think it is definitely worth reading. It also made me feel that 'life is too short' feeling and that you should follow your dreams which I appreciate sounds incredibly cheesy!!
I found the book interesting and quite disturbing - especially towards the end when my heart really went out to poor Edith. It left me feeling very unsettled and sad but I think it is definitely worth reading. It also made me feel that 'life is too short' feeling and that you should follow your dreams which I appreciate sounds incredibly cheesy!!
2 of 3 people found the following review helpful
Format:Perfect Paperback
Judging from the quotes on the back, Edith's Diary has much praise to live up to: "With Edith's Diary, Patricia Highsmith has produced a masterpiece" ... "As original, as funny, as cleverly written and as moving as any novel I have read since I started reviewing" ... "A work of extraordinary force and feeling ... her strongest, her most imaginative and by far her most substantial novel."
The setting at the outset is not dissimilar to something we might encounter in Richard Yates: in the 1950s a New York couple, Edith and Brett Howland, with a young son decide to escape the rat race and downsize to the country, for a better way of living. They want to produce a local newspaper which will win everyone over to their left-of-centre political stance. There's no denying, however, that Highsmith lacks Yates's masterful prose: which is not to say that there's anything wrong with her writing on a sentence-by-sentence level; it's just that it's more serviceable than beautiful. The start is subtle and slow, but even by a quarter of the way in, things are starting to go seriously wrong for Edith, though she seems strangely reluctant to tell her diary this, even though she's the only one (apart from us) reading it. Highsmith excels in creating a downward pull that drags you through the chapters, knowing that nothing good awaits you there.
And Edith's Diary progresses satisfyingly, if not surprisingly, and with a good helping of understated tragedy. For a portrait of descent into mental illness - paralleled by other characters' descents into decrepitude and death, and into delinquency and alcoholism - it's as gripping as it is grim. When Edith, less than halfway through the book, haltingly admits to her husband
"I have the feeling sometimes that something's - sort of cracking in me,"
it carries as much weight and force as Willy Loman declaring that he feels a little temporary about himself, or Ishiguro's Mr Stevens telling us "Indeed - why should I not admit it? - at that moment, my heart was breaking." Yet Edith's descent is subtle and slow, even toward the end, when we begin to see things from other people's points of view, and her diary entries are heartbreaking. Another high then from a writer who, along with Yates, must be one of the literary world's leading lowsmiths.
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