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Edge Of Darkness [Blu-ray]

Mel Gibson , Ray Winstone , Martin Campbell    Suitable for 15 years and over   Blu-ray
3.7 out of 5 stars  See all reviews (88 customer reviews)
Price: £5.88 & FREE Delivery in the UK on orders over £10. Details
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Frequently Bought Together

Edge Of Darkness [Blu-ray] + Brooklyn's Finest [Blu-ray] + From Paris With Love [Blu-ray] [2010] [Region Free]
Price For All Three: £16.84

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Product details

  • Actors: Mel Gibson, Ray Winstone
  • Directors: Martin Campbell
  • Format: DVD-Video
  • Language: English
  • Subtitles For The Hearing Impaired: English
  • Region: Region B/2 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 16:9 - 1.78:1
  • Number of discs: 1
  • Classification: 15
  • Studio: Icon Home Entertainment
  • DVD Release Date: 14 Jun 2010
  • Run Time: 126 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (88 customer reviews)
  • Amazon Bestsellers Rank: 16,748 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)


Political thriller based on the award-winning 1980s BBC series. Thomas Craven (Mel Gibson) is a veteran homicide detective for the Boston Police Department and a single father. When his only child, 24-year-old Emma (Bojana Vovakovic) is murdered on the steps of his home, it is generally assumed that he was the target. But Craven has reasons to suspect otherwise, and embarks on a mission to find out about his daughter's secret life as a political activist, which takes him into the dark and dangerous territory of government collusion and corporate cover-ups. Ray Winstone and Danny Huston co-star.

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Customer Reviews

Most Helpful Customer Reviews
4 of 4 people found the following review helpful
4.0 out of 5 stars Everything's illegal in Massachusetts. 6 Dec 2013
By Spike Owen TOP 500 REVIEWER
Edge of Darkness is directed by Martin Campbell and adapted to screenplay by William Monahan and Andrew Bovell from the 1985 BBC television series of the same name written by Troy Kennedy Martin. It stars Mel Gibson, Ray Winstone, Danny Huston, Bojana Novakovic and Jay O. Sanders. Music is by Howard Shore and cinematography by Phil Meheux.

Mel Gibson brings his emotive energy to the role of Thomas Craven, a Boston detective whose adult daughter is horrifyingly gunned down in front of him. As he investigates her slaying with revenge filled vigour, Craven is drawn into a deadly conspiracy from which he may never come out of.

It's too long at just under two hours in length, meaning director Campbell tends to pad things out with much exposition, and it is very talky. So it's something of a surprise that there are gaps left unfilled in the story. Huston's shifty suit isn't well drawn, neither is Winstone's wine swigging spy, while we are required to fill in the gaps as regards Thomas' absent wife and mother of Novakovic's assassinated daughter.

However, when the action scenes come they are very well staged by Campbell (GoldenEye/Casino Royale), and then of course there is Gibson. With all the furore and baggage that has followed Gibson around, it's sometimes gets forgotten what a great actor he can be. Here he brings real pain and vulnerability to the grieving father role, he has always been one of the best purveyors of believable grief in his generation of actors, and on such a thing does Edge of Darkness thrive.

As a whole it's unfocused and meandering, but Gibbo is on great form and that's actually enough to warrant a viewing. 7/10
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1 of 1 people found the following review helpful
5.0 out of 5 stars SILKWOOD II 26 Jun 2013
By The Movie Guy TOP 500 REVIEWER
Mel Gibson does an excellent job as a grieving father attempting to find out what happened to his daughter. His daughter is easily recognized at any age because she never changed her hair style since she was 4. Gibson plays Thomas Craver a Boston detective. At first they thought he was the target. However Gibson couldn't think of one single person who would want to kill a Boston detective.

He is armed with a few clues: His daughter was sick, barfing her guts out. There was a phone call to her cell phone shortly after she was killed and the person hung up. In going through her effects, he finds a hand gun. His detective work quickly leads him to believe she was the target. The acting was good. The script was fairly solid, although one of the first signs of radiation poisoning is diarrhea, something we didn't get to see, and perhaps that is a good thing.

Warning: There is one scene where he bad mouths post traumatic stress syndrome (Gulf Wars) as something that doesn't exist.
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7 of 8 people found the following review helpful
4.0 out of 5 stars mel's comeback 18 Mar 2010
By Mr. R. W. Graham VINE VOICE
this isn't as good as the original british tv series, but it is a fairly enjoyable thriller that may find a better audience on bluray and dvd. director martin campbell who directed the original version does a pretty good job. mel gibson is good as the grieving/vengefull father and ray winstone is good as jedborough, sent to find out exactly what gibson knows about his daughter's murder. it might have been interesting to see what would have happened if robert deniro, who was originaly cast as jedborough would have played it if he hadn't quit, but winstone gives a good performance as does danny huston. while i have to admit i didn't quite buy the conspiracy theory here, it's still and enjoyable and underrated little thriller.
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6 of 7 people found the following review helpful
2.0 out of 5 stars Unnecessary, ordinary and anticlimactic 3 Nov 2012
By Trevor Willsmer HALL OF FAME TOP 100 REVIEWER
Martin Campbell's unnecessary and surprisingly ordinary big screen remake of the TV series that made his name, Edge of Darkness, was one of those pictures that was just cursed. Co-star Robert De Niro left the picture under very acrimonious circumstances after just one day and was replaced by Ray Winstone (ironically the golf course scene that caused all the trouble never even made it into the picture and was relegated to the DVD's deleted scenes bin); when Warner Bros. picked up the film they demanded a re-edit and reshoots to add more action and make it a more conventional revenge thriller so they could market it with plenty of shots of a crazed Mel Gibson with a gun in his hand (John Corigliano's score also got replaced by a new one by Howard Shore along the way); and then when promoting the movie, Gibson reminded everyone of his anger management issues by calling a TV interviewer an ***hole live on air, which didn't help its dismal box-office any. Just to add to the mix, the end title song was performed by Gibson's then girlfriend Oksana Grigorieva, whose tape recordings of his abusive phone calls pretty much put the final nail in the coffin of his career as a leading man people would still pay to see. It has to be said it wasn't worth all the bother. While it's not a particularly awful film, it does turn a dated but still strikingly imaginative and densely textured original that looked more like a movie than television into a mediocre and compromised by the numbers affair that at times looks more like television than a movie. Read more ›
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