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Eddy: Life of Edward Sackville-West [Paperback]

Michael De-la-Noy
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Paperback: 330 pages
  • Publisher: Arcadia Books; New edition edition (10 April 1999)
  • Language: English
  • ISBN-10: 1900850206
  • ISBN-13: 978-1900850209
  • Product Dimensions: 21.4 x 13.8 x 2.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 1,217,116 in Books (See Top 100 in Books)

Product Description

Synopsis

Until now, we thought we knew everything possible about those talented people in and around Bloomsbury. Yet how it is that so little is known about Edward Sackville-West? Eddy was a novelist, New Stateman music critic and patron of the arts, on intimate terms with Virginia Woolf, Nancy Mitford and Evelyn Waugh. Michael De-La-Noy's biography throws compelling light on the turbulent life of this highly creative man. As well as being heir to Knole and a peerage, Eddy was also an early champion of the work of Britten was for the man as well as his music.

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First Sentence
On 13 November 1901 Edward Charles Sackville-West, the eventual heir to a Victorian title and a medieval mansion, was born at 105 Cadogan Gardens, the London flat of a spinster aunt. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Most Helpful Customer Reviews
11 of 11 people found the following review helpful
5.0 out of 5 stars Bloomsbury Revisited 14 Sep 1999
By A Customer
Format:Paperback
Michael De-la-Noy's book is described as a valuable addition to the body of work on the life, both artistic and real, of the Bloomsbury group. However, it must be pointed out that Eddy existed only on its periphery, through mutual acquaintances and family relationships rather than as a fully fledged member.
It is always amusing to find that a great number of so-called 'lost literary talents' were, in fact, of independent means and 'decided' to become writers (rather than dentists or lawyers). Eddy was no exception. Despite allegedly having prodigious musical talent, Eddy decided his real future lay in writing fiction. Michael De-la-Noy is an enthusiast in discussing Eddy's literary talents - an enthusiasm, which he admits, was not shared by the reading public - and from a description of Eddy's few novels it is easy to see why. Eddy's real talent apparently lay in literary and music criticism. It is in this field that Eddy became well known. He was also involved in the production of a guide to grammophone records and in the direction of the Covent Garden Opera Trust.
He was also homosexual (sharing a house, though not a bed, with three male friends); and converted to Catholicism. Thankfully, unlike other biographers, Michael De-la-Noy treats both aspects of Eddy's life as just that, 'aspects'. It seems that the person most worried about his sexual and religious persuasions was Eddy himself. The most unfortunate aspect of Eddy's life was that he was incapable of finding anyone to share it with him. This was the ultimate tragedy of his life.
Overall, this biography is an enjoyable read. My main criticism is that the early part relies too heavily on quotes from diaries and letters, linked with very few of the author's own observations and explanations.
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