Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know and offers a paradigm of narrative transmission and reception of information among characters, narrators and readers. Gaylin sheds light on the social and psychological effects of the nineteenth-century rise of information technology and accelerated flow of information, as manifested in the anxieties about - and delight in - displays of private life and its secrets. Analysing eavesdropping in Austen, Balzac, Collins, Dickens and Proust, Gaylin demonstrates the flexibility of the scene to produce narrative complication or resolution; to foreground questions of gender and narrative agency; to place the debates of privacy and publicity within the literal and metaphoric spaces of the nineteenth-century novel. This study will be of interest to scholars of nineteenth-century English and European literature.
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'… the cultural impact of eavesdropping on notions of space, identity and reading are well articulated and ultimately convincing. Gayling's scholarship provides yet another focus for the study of nineteenth century literature and culture and critics will find value in her novel approach to a phenomenon that resonates as much in the contemporary world as it did over a century ago.' English
'… surprises by the abundance of its examples and frequently impresses by the cogency of its analysis …' Modernism/Modernity
'… surprises by the abundance of its examples and frequently impresses by the cogency of its analysis …' Modernism/Modernity
Book Description
This book investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin analyses eavesdropping in Austen, Balzac, Collins, Dickens and Proust. This study will be of interest to scholars of nineteenth-century English and European literature.
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Almost everyone who has read Emily Bronte's Wuthering Heights or seen William Wyler's 1939 film version remembers the dramatic scene in which Catherine, unaware of Heathcliff's presence on the other side of the kitchen wall, confides her feelings for him to Nelly. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index
Almost everyone who has read Emily Bronte's Wuthering Heights or seen William Wyler's 1939 film version remembers the dramatic scene in which Catherine, unaware of Heathcliff's presence on the other side of the kitchen wall, confides her feelings for him to Nelly. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index
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