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In the 21st century, many serial killers with religious delusions believe themselves to be various instruments of divine retribution: God, the Archangel Michael, and so on. But in the Egyptian pantheon, when a soul fails to measure up in the Halls of Judgement, the demon Ammut, Eater of Souls, carries out the punishment: annihilation, consuming even the heart. (In ancient Egyptian parlance, the heart, rather than the brain, was considered the seat of thought.)
In the 5th year of the reign of Tutankhamun, Eater of Souls has been called forth from the Halls of Judgement to Memphis, pharaoh's capital, to punish those who have woundsssed the nameless 'favored one'. Since part of the narrative, including the very beginning of the story, is from Eater of Souls' viewpoint, I was worried at first that Robinson had broken one of the fundamental rules of detective stories - no supernatural explanations - but the character is within bounds: the killer is a divided personality, part of which believes it is Eater of Souls.
In this series Robinson often introduces supporting characters in one book, laying the groundwork for appearances in later books. EATER OF SOULS introduces the Caverns, the rough area around the docks of Memphis where Kysen goes undercover seeking information. Ese, the beautiful but embittered tavernkeeper of the Divine Lotus, has many connections, ranging from Tcha (a floorsweeper with a night job as a housebreaker) to Othrys (Mycenaean ship's captain and crimelord). Tcha found his partner's heartless corpse after a robbery, and in a panic got the news to both Othrys and Kysen. Since the first victims were ordinary people, the lazy chief watchman has refused to see any patterns, launch any investigation, or pass any distressing facts to his superiors - but Kysen in his public persona brings in Meren. Then to the tally of killings 'not of the city' is added a devastating victim: the Hittite ambassador.
Meren is greatly troubled; he fears that various events in his own past will find him wanting in life's final judgement, and like many others in Memphis, he's afraid that this may be the *real* Devourer, after the troubles the kingdom has had of late years. If that weren't enough, his younger daughters are back in Memphis after their training in estate management by his sister. Bener is perceptive, clever, and wants to participate in her father's investigations. (She has talents in that direction - watch her inquiry into some suspicious purchases on the household books.) Isis, the younger, is preoccupied with attracting suitors; worse luck, she's developing a mutual interest with the irritating Reshep. (The king ordered Meren to sponsor him to get him away from the royal princesses; his attraction for women is a deeper mystery to Meren than any murder.)
The Nefertiti investigation takes a back seat to the 'heart thefts' - not because it's less important, but because 1) the pharaoh and the vizier must be kept stable for the kingdom's sake, so they're kept in the dark, and 2) anyone who seems to know too much about the matter tends to come down with a serious case of death. The slow start is believable, but maddening. The various dissatisfied courtiers and half-brothers of pharaoh at court tended to blur together at first. Finally, for any fans of THE LOST QUEEN OF EGYPT out there, Ankhesenamun is not a sympathetic character from Meren's viewpoint; her strained relationship with the king has kept her mostly off-stage in the series until now. In this book, she begins attempting reconciliation with Tutankhamun, but he and Meren both doubt her motives.
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