From the minute I heard the first single from this album - which was called "Dreaming" I knew that this album was going to pack a lot more punch than its predecessor "Parallel Lines". Strongest songs on here include the much underrated "Union City Blue", "Slow Motion" which implies itself as Sixties orientated with Phil Spector suggested melodies and lyrics, the title track which would have made a cracking single, the brilliant new wave disco of Atomic I believe was written about a race horse, and the most harrowing track on the album, "Victor" about a fugitive who leaves Debbie Harry devastated and screaming about her impending desolation. The chorus is of course sung well by Debbie, but the song "Victor" carries the group's own brand of pathos into a new direction. It almost goes hand in hand with "Atomic" and its strident nuclear dreams.