Earth Mother is British singer-songwriter Lesley Duncan's second album, but the first one I ever bought; on the strength of it I immediately bought her first, Sing Children Sing. Earth Mother is darker, more pain-filled than the earlier album. The first track, "Times", has the achingly honest lines "I worry if you get too near me, and I miss you so much when you're gone..." There's the calm acceptance of the end of a perfect relationship in "Queen to your King", wishing her former lover the best: "But you'll make out on your own." In "Old Friends" she sings "But where did all that magic go that kept us in our place / Now I couldn't help but show the sadness in my face / And I cried / Something's died." And there's the almost bitter resignation of "Sorry Living": "And what is one more sorry moment when you got the taste for sorry livin'." In a rare departure she sings someone else's song, the hauntingly sad "If It's All The Same To You" by Andy Bown of the Herd and Status Quo, who plays bass on this album. It's perfectly in the mood of the other songs.
And yet this isn't an angst-ridden album; it's introspective, yes, but in their reflection on loss, the songs are about empowerment, of acknowledging your pain, of being strengthened by it so you can move on and live.
The highlight of the album is the title track, "Earth Mother" which, dedicated to Friends of the Earth, must be one of the very first eco-conscious songs. "Oh mother please forgive us / We've taken all you had to give / Claimed it as our right to live / Never thinkin' you had that right too...", the almost plaintive confessional of the verses starkly contrasted by the driving power of the chorus, "But we daren't turn and say Stop / While we're watching the slow rot / Yet the life that we've all got / All depends on you / But we've taken the wrong track / And we've painted your face black / And it's so hard to turn back from it now." This is an anthem, whose words tell it all; it's a cry of self-accusation; it's a prayer for our planet.
The other musicians on this stunning album include the legendary Chris Spedding on guitars, Barry de Souza on drums and percussion, and Lesley Duncan's producer and then-husband Jimmy Horowitz on organ, piano and flutes. As always, she was able to call on the best.
First released in 1972, Earth Mother is as fresh and powerful today as it was then: startling but warm poetic lyrics sung in Lesley Duncan's beautiful mature voice, with superb arrangements and musicianship - an object lesson to some of today's female singer-songwriters. Let's hope Edsel soon release her other three albums. And dare we hope that with these rereleases, and with websites devoted to her in America, Italy and Japan, Lesley Duncan might start recording again?
--David V Barrett